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Interview | "Family with Children" All Return to the Movie? "Xia Donghai" rumors

Special feature of 1905 film network At the beginning of the year, the chief producer of "Family with Children" announced that he planned to call the original crew, such as,,, and so on, to shoot the big movie "Family with Children". The classic return of the screen triggered a hot discussion on the whole network.


"Without this, there is no progress." Gao Yalin recently accepted an exclusive interview with 1905 Film Network and denied participating in the project. He said that many years ago, they really wanted to make an extended version of Family with Children, which was also a dream of five people. Later, it was not completed for various reasons, and the previous release had nothing to do with Family with Children.


"One year, the five of us scraped together to shoot an advertisement, and we were very emotional. Why don’t we get together again when we grow up? We are all like a family. We were very impressed by that advertisement. We haven’t got together like this for many years. It feels like yesterday. There is no need to discuss filming at all. The tacit understanding is amazing. "


As a producer and producer, Gao Yalin, together with, began to enter the micro-short drama industry.


Although the return of all members of "Family with Children" is far away, he said that he is creating a short drama with a family theme similar to "Family with Children", and he also hopes to invite the original class to help and fulfill the long-awaited dream. "But they are all too hot, and the schedule is full. It’s so difficult. At that time, a group of us wanted to make a movie, and it was too difficult."



"Xia Donghai" in "A Family with Children" is deeply rooted in people’s hearts. Through this interview, we can feel that Gao Yalin is as approachable as Xia Donghai in life and has no sense of distance.


From the newly released, his performance on the screen has also deepened the cordial image of "National Dad".



Their common "dad"


"I was very exclusive for a while. When I said that I was looking for my father, my head was big." Because of his success in shaping the image of Xia Donghai, a middle-aged father, Gao Yalin took on many roles of the same type. He admitted that he was so bored that he almost didn’t take on A Little Red Flower.


Later, he wanted to understand that every father’s role is different. As long as there is demand in the market, he will play well. "The audience, the director and the producer are good. They recognize you and follow the trend. Moreover, the role of the father is ever-changing and varied. Can’t all fathers be Xia Donghai? Why can’t they play? "


In the A Little Red Flower, Gao Yalin’s performance is appropriately contrasted and complemented with his mother’s and son’s personalities, thus forming a strong drama tension among the three people, and he won the most popular supporting actor in the media attention unit of the 18th film channel, which is also his first honor in the field of film actors.



From Andy, Zray, to the father in Viva La Vida, Gao Yalin cooperated with many young actors and was their good father on the screen.


Talking about his "children", he is very proud. "The children are still very competitive. The young actors I met are all very good later, better than me, which also shows that I am luckier than them, because I can meet such excellent them, and I am touched by their light."


In Gao Yalin’s eyes, these young actors who have worked together are all good children, who are sensitive and talented in acting. "I really haven’t met too many young actors who want to act first and get along very comfortably. They all respect me, love me, and just help me cross the street. I hope they don’t forget me when they get angry, "Gao Yalin said humorously.


Change the "sequela" of sitcom


Having cooperated with the director twice, Gao Yalin said that he liked each other’s films very much, depicting the reality of our lives like a line drawing and paying attention to the people around us.


"Han Yan told us on the first day that he liked the documentary performance. I said, your request is too high." Gao Yalin revealed that before the official shooting of "Viva La Vida", the director led the whole crew to shoot a small sample film in advance to capture the realistic film’s touching texture close to reality and try a documentary performance.



Through this film, Gao Yalin realized more deeply the difference between movie actors and TV actors. He thinks that many actors who often play TV series go to movies again, and the problem they encounter is that they can’t control their mouths, and it is difficult to calm down and express their emotions with their bodies or micro-expressions:


"In the past, dramas, especially sitcoms, caused me a lot of sequelae. In jargon, I am afraid that words will fall to the ground, and I always like to talk. I am always anxious to express in a play without lines, and that expression is only in the very single aspect of lines. When playing a movie, I will find that sometimes the lines are redundant. If it is inaccurate and not concise, it is better not to say it. "



Now some of the new scripts that Gao Yalin has received still have the role of father, but the theme is different from the past. There is a story about the growth of teenagers and anti-campus bullying, which he is very interested in.


Gao Yalin said that movies are like a temple in his mind, so don’t fool around. "You should be serious, don’t worry, sharpen the script, find a good director and actors, so be serious and shoot together."


Enter the miniseries industry.


At present, the micro-short drama industry is in full swing, and filmmakers such as Stephen Chow and Jing Wong have entered the market. Gao Yalin is not only an actor, but also a veteran producer in the industry. As the founder of Gaohe Film, he has begun to target the business opportunities in this industry.


As the chief producer, Gao Yalin has teamed up with the Migu platform to create a mini-drama "Here she comes, please move", which is being produced. At the 11th China Internet Audio-visual Conference held recently, he said that he was creating a comedy science fiction short play with Sanxingdui theme. He also revealed to the 1905 film network that he planned to create a short family drama similar to "There are children at home", "The family is happy together, which everyone wants to see".



In his view, more and more professional film and television people are entering the micro-short drama market, not only learning from the new format, learning the new rhythm of short drama, new fragmentation and reversal plot techniques, but also integrating with short drama. The integration is to make better works and spread everyone’s thoughts and thoughts to the audience through the new bridge of short drama.


Gao Yalin also paid special attention to the serious problem of homogenization of short plays, from the barbaric growth in the past to the need for upgrading and upgrading, moving towards quality and specialization.


"At the earliest, many short plays were online texts, that is, the online texts were directly translated, and the intervention of audio-visual language was not mentioned. And the filmmaker is good at telling stories in audio-visual language, so the participation of filmmakers will definitely be greatly improved in this respect. "Gao Yalin, taking" Here She Comes, Please Heart "as an example, has not made any special changes to the script on the basis of the original work, but will further strengthen the filming and production in terms of artistic makeup, professionalism of actors, and detailed expression of film and television.


He is not the one who will leave the market just by shooting a few short plays to make some quick money. "I am an ambitious person. I won’t withdraw until I make some works that I think are worth staying here." Gao Yalin said.


Ming-Na joined the new version of "Longwei Kid" and starred in Jackie Chan.

Longwei boy

Longwei boy

     On March 7th, Beijing time, according to foreign media reports, Ming-Na joined the new version of the well-known action film "Long Wei Kid", but his role was not exposed. Wang Ban (Journey to the West ABC) was originally scheduled to play the leading role, with Sadie Stanley and joshua jackson playing the leading role, and Jackie Chan and Ralph Macchio returned as the previous stars.

  The film had previously announced the starring role in the global sea election, and now the film chose Wang Ban, saying that "he stood out from the global casting of tens of thousands of participants because of his proficiency in Mandarin and various martial arts, showing the deep connection between individuals and characters".

  Directed by Jonathan Entwistle (What I Don’t Want) and Written by Rob Lieber (Peter Rabbit and Goosebumps 2), it was released in North America on December 13th this year.

  Long Wei Kid, released in 1984, has been remake into Kung Fu Dream, a 2010 film about American children coming to China to learn martial arts (plus the new version, all three films are called Karate Kid, with different Chinese translations). The original version in 1984 tells about American teenagers learning karate from Japanese masters in California and understanding their philosophy. Machio starred in the 1984 edition, and Jackie Chan also appeared in the 2010 edition.

  The second remake of this new version of the description: The story comes to the east coast of the United States, focusing on a teenager from China, who learns from a tough but wise elder and finds strength and direction from it.

  (Meng Qing)

China’s first COVID-19 mRNA vaccine was approved to start clinical trials.

Xinhua News Agency, Beijing, June 25th (Zhuang Yingna, Shao Longfei) The novel coronavirus mRNA vaccine (ARCoV), which was jointly developed by the Institute of Military Medicine of the Academy of Military Sciences and local enterprises, was officially approved by clinical trials in National Medical Products Administration on the 19th. This is the first COVID-19 mRNA vaccine approved for clinical trial in China.

Since the outbreak of the COVID-19 epidemic, the Institute of Military Medicine of the Academy of Military Sciences has deployed emergency scientific research to tackle key problems, and at the same time promoted the research and development of vaccines in COVID-19 with multiple technical routes. COVID-19 mRNA vaccine made in China is another high-tech vaccine variety approved for clinical trial after recombinant COVID-19 vaccine (adenovirus vector) in our hospital.

According to Qin Chengfeng, the project leader and researcher of the institute, mRNA vaccine is a new vaccine form in recent years. Its basic principle is to introduce mRNA expressing antigen target into the body through a specific delivery system, express protein in the body and stimulate the body to produce specific immune response, thus enabling the body to obtain immune protection.

Article 20 broke 2 billion! The stamina is too great, but the "controversy" is still there.

Special feature of 1905 film network The director’s film did not gradually fade away with the end of the Spring Festival, but rose against the trend and became the biggest dark horse in the whole market after the schedule.


The film climbed and surpassed from the fourth place in the single-day box office. So far, it has topped the single-day box office champion for six consecutive days, and the cumulative comprehensive box office has officially exceeded 2 billion in 16 days.


Why is Article 20 able to make a comeback after the Spring Festival?


The reasons are the audience’s first choice to re-select films after fierce competition, and the re-layout after the squeeze of film arranging space, and the quality content that is firm enough is the key core.


The comedy elements and entertaining comedy style created by the intensive bickering of characters in the film are outstanding. As the first film with the theme of "justifiable defense" in China, the story content discusses the complexity of the topic of "justifiable defense" and the social practical significance caused by it, which makes the film last for more topics.


Article 20 takes the self-defense clause in the criminal law as the clue, and tells the story with the dilemma of emotion and law faced by prosecutor Han Ming in the case. It shows the blunt and abstract legal provisions and judicial practice with vivid and concrete expressions, and successfully builds a bridge of communication between the law and the public, which makes many legal workers deeply touched.



So, in reality, how do the legal person who is the "protagonist" specifically look at Article 20? How will they face the controversy in the three cases in the film? Are there any details in the presentation of legal content that are particularly realistic and can be further improved?


1905 Movie Network specially invited lawyer Zhou Zhaocheng of Beijing Anjian Law Firm, lawyer Wang Yahui of Beijing Lanshang Law Firm, lawyer Wen Yang, senior partner of Shaanxi Xuanmian Law Firm, doctoral student Shang Bowen of Peking University Law School, criminal lawyer Wang Wentian, and prosecutor YC (anonymous) of a district procuratorate of a city in Guangdong Province to gather a number of legal persons to analyze the legal issues in Article 20 from their professional perspectives.



1905 Movie Network: What impressed you after watching the movie Article 20?


Zhou Zhaocheng: My viewing experience is very complicated. I am saddened by the experience of the characters and gratified at the end of the story. What impressed me most was the case of Wang Yongqiang’s assassination of Liu Wenjing, because this case was based on the anti-killing case in Kunshan in 2018, and I was the first lawyer interviewed by the media at that time, so I felt the deepest! More importantly, Article 20 also conveys the voice of the people and appeals to law, reason and emotion.


Wang Yahui: I was deeply impressed by the question-and-answer conversation between Han Ming and his son in the car. What Han Yuchen asked was the public’s doubts about being brave and defending oneself. As a senior prosecutor, Han Ming didn’t know how to answer, and also pointed out that Article 20 didn’t play its due role.


Shang Bowen: What impressed me most was what Han Ming said: "Everyone does it this way". That’s what they do, right? As far as the law is concerned, although China has not implemented the case law system in the Anglo-American legal system, it is conceivable that the pressure brought about by overthrowing the previous judgment logic is unbearable for individuals: as Han Ming told Lu Lingling in the film, more than a dozen cases were judged in this way. Why do you make different judgments? Breaking the "rules", the previous judgments and public opinion are like a mountain, which is pressed on the host prosecutor and the procuratorial system; Draw a gourd ladle, everyone can regard it as nothing happened, and no one will criticize a person who follows the rules.


The most touching plot of the film is the performance of the three children when three cases come together: Juanjuan’s helplessness when her mother jumped to protect herself, Yaya’s remorse when her father was in a car accident, and her son Han Yuchen’s torture of what is "justice". Others can regard it as nothing happened, but Han Ming himself can’t pass. The sense of responsibility for these innocent and kind souls is the driving force for Han Ming to make "I don’t want to do it all".



1905 Movie Network: The film mainly focuses on the definition of self-defense and the crime of story injury, and tells two cases: Wang Yongqiang’s assassination of Liu Wenjing and bus driver Zhang Gui’s birth. What do you think of the whole process of these two cases?


Zhou Zhaocheng: The case of Wang Yongqiang’s assassination of Liu Wenjing and the case of Zhang Gui, a bus driver, are adapted from the real events with milestone significance in the application of the concept of "justifiable defense". By developing these two cases, Article 20 shows us the twists and turns from intentional injury to justifiable defense, and makes more people feel the judicial temperature under the cold law. At the same time, it also reflects many practical obstacles from legislation to application, and it is still very difficult to define whether the defense behavior is justified or not.


Wang Wentian: The process of examination and prosecution of Wang Yongqiang’s case is painful, which tests the patience and courage of the case handlers. In practice, the prosecutor’s idea of examination and prosecution is "realistic". If he doesn’t return to make up the investigation or the prosecutor doesn’t take the initiative to look for evidence, then this case will definitely have a different result. It also confirms the line in the movie, "It’s not just a case, but someone else’s life". Because it involves other people’s lives, the case handlers of procuratorial organs and public security organs (as well as defense lawyers) should take it seriously, think, take the initiative, and be brave, so that criminal suspects can feel fairness and justice.


Wen Yang: I think that Wang Yongqiang’s acquittal without prosecution is a happy ending, but the cost is huge. For example, judicial personnel have been under great pressure from public opinion and handling cases, and Wang Yongqiang’s wife Hao Xiuping also jumped from a building and was seriously injured. This can’t help but make people think: If Hao Xiuping didn’t jump off a building and was forced to sign an agreement in exchange for the result that a husband might not die, would there still be the result that Wang Yongqiang constituted self-defense and eventually acquitted himself? Further thinking, Hao Xiuping had no choice but to think that "my husband can only live when I am dead", and to draw people’s attention back to the examination of Liu Wenjing’s illegal infringement by jumping off a building in an extreme way is also to fight against the logic of "Liu Wenjing is dead, so Liu Wenjing is right" at the expense of his own life.


The film does not show much about the formation of Zhang Guisheng’s guilty verdict, but more shows that Zhang Guisheng was unwilling to die after being convicted, showing helplessness and bitterness. Personally, I think the director may want to show the audience a result with the ending of Zhang Gui and Zhang Guisheng — — Unfair judgment will not only make social order harmonious, but even intensify social contradictions and undermine social harmony and stability; It will also challenge the people’s simple concept of justice, arouse public doubts about legal fairness, and undermine citizens’ reasonable expectations.



1905 Movie Network: There is also an auxiliary line about campus bullying in the movie. What do you think of the legal issues involved?


Shang Bowen: In the case of campus bullying, the protagonist couple, especially Li Maojuan, did not distinguish between "substantive justice" and "procedural justice" at all. What is substantive justice? Ke Zhang’s bullying classmate and Han Yuchen’s "nose for nose" is substantive justice. But is it enough to only save the scene with the heroes of martial arts novels? The paranoid pursuit of substantive justice is likely to lead us to a different path. As Luo Xiang said: "The training of law will constantly remind us of procedural justice, be alert to substantive justice, and pursue justice in the process". There is no monitoring, no evidence, and even reluctance to do the work of bullied classmates and surrounding classmates to testify for Han Yuchen. It is undoubtedly a slap in the face to find Zhang’s "trouble" just because of his son’s guess about the hitter. The film has handled this well, and the ending of entering the detention center is both realistic and educational. From this point of view, apart from neglecting to discipline my son Ke Zhang, I find it difficult to criticize Director Zhang who has always maintained rationality and restraint.


Wang Wentian: The case of school bullying (the concept of campus bullying is the same as that of school bullying, but it is described as "school bullying" in the law) is often difficult to investigate clearly. Nowadays, every school has preventive measures and emergency plans for campus bullying, but in fact, some invisible violence is difficult to find out, especially in economically underdeveloped areas. In addition, according to the relevant provisions of the People’s Republic of China (PRC) Law on the Prevention of Juvenile Delinquency, "State organs, people’s organizations, social organizations, enterprises and institutions, residents’ committees, villagers’ committees, schools, families, etc. all have their own responsibilities and cooperate with each other to jointly prevent juvenile delinquency, promptly eliminate various negative factors that breed juvenile delinquency, and create a good social environment for the healthy development of minors." This article clearly stipulates that there are eight responsible subjects in preventing juvenile delinquency. The film only mentions the responsibility of the school. Even if the school is the leader of the investigation, it has a great responsibility to investigate the violence on campus, but in the process of investigation and handling, it needs the cooperation and assistance of many departments and subjects.


Shang Bowen: The system needs to play a leading role at the front end, whether it’s courageous acts, self-defense or campus bullying cases in the film. What is needed in this matter itself is a surge of adrenaline, which requires people to be in an "impulse" rather than a rational state. What the law can do is to let the general public who are willing to be heroes understand how to be brave and what to do when they are brave, how to protect themselves when they are brave, and add a little condensate of legal rationality to the hero’s "impulse".



1905 Movie Network: What are the realistic details of the restoration and presentation of judicial cases in Article 20?


Wen Yang: When showing the process of handling cases, we strive to be true from the investigation stage to the examination and prosecution, which reflects the rigor and complexity of judicial work, such as evidence collection, cross-examination and debate, sentencing consideration and other steps, which are all in line with reality, especially in the film. The prosecutor Han Ming took a number of judicial cases of similar cases and fell in front of Lu Lingling, but said helplessly, "It’s always like this everywhere. Why can’t this case?" This plot really fits a real situation in handling a case. Although China is not a case law country, due to the principle of "the same case and the same sentence", both judicial staff and lawyers attach great importance to the retrieval of similar cases in the process of handling cases, hoping to avoid the situation of different sentences in the same case by retrieving cases.


Shang Bowen: Some time ago, many people wanted to do a job of "not entering life", but the filming of the procuratorate’s work in the film was realistic at least in this respect. It is not a case, but the life of a living person. In order to detect cases, find key evidence and write judgment documents, the life and work of public security and legal personnel in the legal profession are closely intertwined.



1905 Movie Network: Is there anything in the film that can be further improved?


Wang Yahui: Generally speaking, it is practical, and every scene seems familiar to the legal person. However, the details of the connection of the case-handling process, such as the prosecutor verbally asking the public security to find evidence, are not realistic, and some legal knowledge points are not accurate, which may be limited by the length of time and worried that the professional knowledge is not easy for everyone to understand, so it has been simplified. The film has a very good idea. If we can increase the depth of case analysis on this subject, fully present the differences of views and details of handling cases in the work of prosecutors, and make a series, I think it should have better results.


Wen Yang: Although the film touches the core of some legal issues, it can further explore the collision between different legal viewpoints, such as identifying the boundary of self-defense and judging subjective intention, and show the difficulties and controversial points in judicial practice in more detail. Some scenes or discourses involving legal majors can be appropriately explained by more professional terms and legal theories, so that the audience can better understand the legal logic and judgment basis. There is also the plot that does not reflect the participation of lawyers. Wang Yongqiang has no defender in the film. In reality, even if Wang Yongqiang does not entrust a lawyer, there will be a legal aid lawyer. The participation of lawyers will make the film plot more collision.


Shang Bowen: Han Yuchen’s beating doesn’t have to meet the criminal filing standards before he can file a case. The punishment for public security management of mutual beatings and even group beatings can be directly filed. The verification of the case must highlight the specific scenes for the needs of the plot, which is understandable, but some of them are too far from reality. For example, when the protagonist group visited the village, they did not ask the witness directly, but asked the shop owner directly. In fact, many times in the film, Han Ming did the work of the public security organs.



Wang Yahui: In addition, I think that because the film is a prosecutor’s perspective, there are some negative portrayals of the roles of public security and lawyers. From the perspective of gathering themes, this depiction is superfluous.


Wang Wentian: I have different views on this. I don’t think this film belittles lawyers, because there are no lawyers involved in the three cases in the film, and they are not the key figures to be told in the film, so we can’t generalize them. First of all, there is no defense lawyer in Wang Yongqiang, and the lawyer in the movie stands outside the procuratorate and is the attorney of the victim. His "that sentence" is legal and reasonable. Although the occasion of his speech caused doubts, he did not express his feelings for the victim, nor did he provoke contradictions. His behavior conforms to the lawyer’s professional ethics and norms. Secondly, in Zhang Guisheng’s case, there was no mention of lawyers at all, but the behavior of prosecutors in the stage of examination and prosecution was emphasized. Thirdly, in the case of campus bullying, the lawyer in the film provided an opportunity for both parents to meet from the perspective of an outsider, and did not talk about right and wrong and put forward any legal advice, which did not violate the regulations. Finally, because there are few lines and scenes in the role of lawyer, it cannot be said that the lawyer in the film represents the criminal defense lawyer in reality. The film is not emphasizing the level of occupation at all, but popularizing the law. Why should it be complicated for such a simple purpose?



1905 Movie Network: What do you think is the significance of Article 20 in popularizing law in society? What can legal professionals learn from the role of prosecutor Han Ming?


Zhou Zhaocheng: This film is of great significance in popularizing the law to the society. It makes Article 20 of the Criminal Law go out of the law and into every citizen’s heart, and makes us believe that legislation is powerful and justice is warm. This film has great social significance. In the persistence of the role of prosecutor Han Ming, I see the enthusiasm of legal professionals and the belief in the law. "Let the people feel fair and just in every judicial case" is the expectation of the people and the responsibility of the judiciary.


YC: In Han Ming’s case, I think we should take the facts as the basis and the law as the criterion. Of course, we can’t describe the legal provisions in a mechanical way. More importantly, we need to handle or handle cases with some simple or ordinary values, because the law is not cold.


In the film, Han Ming, the prosecutor, does not stick to the rules, because the law is lagging behind. It is a good thing for judicial practice to follow the case or make changes or innovations in time. Although there may be difficulties or obstacles, I think there are actually many such people to practice or try in China’s legal system today.


Wang Yahui: After watching the film, people have a clear understanding of the behavior of self-defense. The film conveys the spirit of punishing evil and promoting good by law and safeguarding justice to the utmost, so that people know that Article 20 is a solid backing for justice and can boost the integrity of society. Legal professionals should learn from the spirit of Korean prosecutors who dare to take responsibility, and with the courage to take responsibility, they can shoulder the heavy responsibility of safeguarding fairness and justice.



Wen Yang: Aside from the professional problems seen by professionals watching this film, for those of us who are engaged in the legal profession, the shaping of the role of Han Ming is to remind every legal community that when handling every case, we should not forget our initial intentions, always keep a fair heart and have responsibilities and responsibilities. Of course, as a lawyer, I want to speak for the lawyers. Although the voice is small, it is at least vocal: there is no shortage of fair and just prosecutors and judges in this society. At the same time, there is no shortage of lawyers who rush to defend the legitimate rights and interests of the parties.


Shang Bowen: Those who are courageous are heroes, and those who promote justice and protect those who are courageous are even more heroes. Understanding of justice: No matter what kind of legal profession or legal field you are engaged in, justice will always be the ultimate value that legal people pursue forever. In addition to the prosecutors and judges in the film, the original intention of the professional setting of lawyers in reality is a sword to ensure the procedural justice of the parties.


Going against the current and pushing the legal system towards better reform, like Korean prosecutors, is a typical "collective action" problem in which individuals bear collective costs and will encounter great resistance and pressure. However, the right thing is often not easy to do, so we should take it as our responsibility!


An old friend who "listens to advice", the upgrade of Starway 2025′ s moon-taking is at the key point.

After further upgrading, the Star Way 2025 was officially launched on August 5, and the official guide price was 193,900-233,900 yuan. It is said that this is a flagship SUV model, and the upgrade made by Starway to this car has been taken to the key points.

In view of the shape of the front face, the 2025 Lanyue unified the shape of the air intake grille, adopted the same design of the international version, and added the blue body color of the sky. At the same time, the interior has also been upgraded simultaneously, providing light orange color matching, and a large number of Nappa leather materials are used. Although the changes are in small details, it also proves that the whole design is more in line with users’ preferences.

The upgrade of intelligent configuration is an obvious area for the 2025 Lunar Rover. It adds a high-level intelligent driving assistance system on the Star Road, providing optional high-speed overhead navigation (NOC) functions, and the experience will be significantly optimized. In addition, it is also equipped with HUAWEI HiCar 4.0 system and the hall-level 3D surround sound cockpit with LION MELODY 23 speakers, and the entertainment and technological experience have been upgraded to a certain extent.

Starway 2025′ s power to capture the moon has accumulated a good reputation among users. It is equipped with a 2.0T engine, with a maximum power of 192kW and a peak torque of 400 Nm, matching Aisin 8AT gearbox and the 6th generation intelligent four-wheel drive system of Borg Warner. Among the products at the same level, the whole set of power is still quite competitive.

Building high-end products by independent brands has indeed experienced many bumps along the way, and the star road has also encountered many difficulties. From the product point of view, the comprehensive strength of the Star Road 2025 Lunar Rover is still relatively strong. In terms of safety, power and control, it does show genuine materials, rich configuration and advanced interior materials, all of which have reached the value expectation.

Of course, it may take a long time for a high-end brand to be widely recognized by consumers. After all, brand image and word of mouth need to be accumulated bit by bit. Although many new car-making forces have successfully entered the high-end market through the advantages of novel intelligent technology in recent years, if they want to gain a firm foothold in the market, they still need a certain brand foundation to go longer.

The development of Xingtu Automobile has not adopted an overly radical model, and this high-end brand has always been the main focus. Until 2023, its overall cumulative sales reached 125,521 vehicles, a year-on-year increase of 134.9%. As for January-July 2024, the cumulative sales volume of Xingtu Automobile was 68,890 vehicles, up by 28.3% year-on-year, achieving year-on-year growth for seven consecutive months. Since the establishment of Xingtu brand five years ago, the achievements made in the market today are inseparable from this step-by-step development model.

In addition to focusing on the word "stability", Xingtu Automobile is constantly exploring new models. The birth of the Star Age, with new energy and intelligence as the development direction, has opened up a brand-new development route and created more possibilities for the development of Xingtu Automobile.

Cangzhou area eπ 008 special sale! The latest offer 188,600, discount waits for no one

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沧州地区eπ008特价出售!最新报价18.86万,优惠不等人

车系eπ008的外观设计采用了时尚且动感的风格,其前脸设计简洁大方,采用封闭式进气格栅,搭配锐利的LED大灯,呈现出强烈的科技感。车身线条流畅,侧面腰线贯穿前后,使整车看起来更加修长动感。整体而言,eπ008的外观设计既彰显了现代感,又不失稳重。

eπ008的车身尺寸为5002*1972*1732mm,轴距达到了3025mm。其车侧线条流畅而优雅,搭配了265/45 R21的轮胎规格,前后轮距均为1650mm,彰显出动感与稳定性。轮圈设计独特,增强了整车的视觉冲击力。

沧州地区eπ008特价出售!最新报价18.86万,优惠不等人

eπ008的内饰设计注重科技感与舒适性,中控台搭载一块15.6英寸的高清触控屏幕,集成了多媒体系统、导航、电话和空调等多种功能,并支持语音识别控制,为驾驶员提供便捷的操作体验。方向盘采用皮质材料,手感舒适,支持手动上下和前后调节。前排配备了两个USB接口和一个Type-C接口,后排则有三个Type-C接口,方便乘客充电。主副驾驶座椅均采用仿皮材质,支持多向调节,还具备加热、通风功能,驾驶位座椅更配置了头枕扬声器,为乘客带来舒适的乘坐体验。此外,前排和副驾驶位座椅均具备电动记忆功能,方便驾驶员和乘客轻松切换座椅设置。第二排座椅同样支持多向调节,腿部支撑可以灵活调整,满足不同乘客的需求。后排座椅可按比例放倒,增加后备厢的储物空间,进一步提升车辆的实用性。

沧州地区eπ008特价出售!最新报价18.86万,优惠不等人

eπ008搭载了一台1.5T L4发动机,最大功率为108kW,最大扭矩为210N·m。与之匹配的是一套电动车单速变速箱,为车辆提供了平稳且高效的驾驶体验。

汽车之家车主 表示,他们选择的向阳金颜色,接近银色,既时尚又耐看,而eπ008的外观设计更是大气十足。

Tribute to the amazing her. yang Jianhua: Thor, Blueprint, Sword Rain

"Tribute to the amazing her:

38 Chinese Women’s Stories of Fighting the Epidemic

Wonderful trial reading

In order to faithfully record the moving stories of the people of China, Hubei and Wuhan in their fight against the epidemic, and to show the glorious deeds of Chinese women during the fight against the COVID-19 epidemic, the Hubei Provincial Women’s Federation, the Hubei Provincial Writers Association, and the China Women’s Publishing House jointly planned and published the book "Tribute to the Great She – 38 Chinese Women’s Stories of Fighting the Epidemic".

Thirty-three female writers interviewed 38 women who had fought in the front lines of the epidemic in Hubei and Wuhan, using their unique perspectives and delicate writing to jointly record a story about life, faith, suffering, choice, dedication, and courage.

January 6, 2020, "World Design Capital" Wuhan City.

Located in Wuchang District, the "Top 100 Enterprises in the National Survey and Design Industry" and "100 Famous Academies of Contemporary Chinese Architectural Design" – Zhongnan Architectural Design Institute Joint Stock Company (referred to as Zhongnan Academy), gathered elites, held a cadre conference, and announced that the Hubei Provincial Party Committee appointed Yang Jianhua Deputy Secretary of the Party Committee and General Manager of the Central South Academy…

At the beginning of the Year of the Rat, what kind of extraordinary light will the Central South Courtyard, a famous sword in the architectural design world, wield in the hands of the newly appointed female general of the Yang family?

Yang Jianhua: First-class registered structural engineer, senior engineer of regular and higher vocational colleges, and senior economist. Deputy Secretary of the Party Committee and General Manager of Zhongnan Architectural Design Institute, Chief Commander of Anti-Epidemic Project Design of Zhongnan Architectural Design Institute and Leishenshan Hospital Project Design, was awarded honorary titles such as "National March 8th Red Banner Bearer in Fighting COVID-19 Epidemic" and "Wuhan Heroine in Fighting Epidemic". During the COVID-19 epidemic, she led the team of Zhongnan Architectural Design Institute to go on a retrograde expedition and go to war. She completed 38 anti-epidemic construction projects such as Leishenshan Hospital in one month, providing hard core support for epidemic prevention and control in Hubei Province and Wuhan City. The Party Committee of Zhongnan Architectural Design Institute won the honorary titles of "National Advanced Collective to Fight COVID-19 Epidemic" and "National Advanced Grassroots Party Organization".

01

At the end of 2019, it was destined to be extraordinary. The COVID-19 epidemic, the most serious infectious disease pandemic in the world in a hundred years, broke out on the 29th of the twelfth lunar month, and Wuhan closed the passage from Han. People first, life first! That afternoon, Wuhan decided to follow the model of Beijing Xiaotangshan Hospital during the fight against "SARS" in 2003 and build Huoshenshan Hospital, which was planned to be completed in ten days…

Yang Jianhua, who was in Jiangcheng, paid close attention to the news of the fight against the epidemic. As a designer who was born in the front line, an executive who had been in the field for less than a month, she knew very well that the architectural design of the Emergency Infectious Disease Hospital was a matter of life at stake, and it was the "top-level" design that truly put life first! In the middle of winter, the wind was urgent, and all kinds of news and news were overwhelming like cold rain, Yang Jianhua was overwhelmed but "deaf", because her heart was churning with the strongest voice: the epidemic broke out, Huoshenshan Hospital has started construction, and the colleagues who took over the design task should have a great responsibility and a glorious mission! The Central South Court that he just took over is one of the first six comprehensive architectural design institutes established in New China, and it is a state-owned enterprise that shoulders political responsibility, economic responsibility, and social responsibility. At this critical juncture, as a strength compound in Han, it should make a difference and take responsibility! The old party member who swore to the sickle and axe when he was in college was vaguely looking forward to it, and the sense of mission in his heart gradually burned until it was in full swing; the surface was still and deep, and his voice did not move.

The next day, on New Year’s Eve, when thousands of families were reunited. At 8:30 p.m., Yang Jianhua’s cell phone suddenly rang while watching the Spring Festival Gala. Her heart skipped a beat, and she quickly answered – it was from the Wuhan Urban Construction Bureau: within half a month, Wuhan will build another Leishenshan Hospital, and the design task will be handed over to the Zhongnan Hospital.

The charge horn sounded, the organization was calling, it was time for the Central South Court to go to the battlefield!!

Yang Jianhua immediately reported to Zhang Baiqing, vice chairperson of the Hubei Provincial Committee of the Chinese People’s Political Consultative Conference and chairperson of Zhongnan Design Group, Zhang Yun, party secretary and general manager of Zhongnan Design Group, and Li Ting, party secretary and chairperson of Zhongnan Hospital. Soon, she was appointed as the design chief of Leishenshan Hospital, and a design war against time "epidemic" started.

The female commander quickly arranged the troops. The project leader was Zhang Songmin, deputy chief architect of the Central South Hospital, and the lead unit was the company’s medical and health department. Zhang Ming, general manager of the department, served as the specific general coordinator of the project.

At 9 o’clock on New Year’s Eve, Yang Shuai, who was on the fast horse, issued a call for the design of Thunder God Mountain. All the experts and designers in Han who received the task immediately rushed to the front line. What kind of general, what kind of soldier! At that time, Yang Jianhua’s phone was almost exploded, and many designers who had not received the notice in the Central South Courtyard took the initiative to sign up: "As long as you can get on, let me help you drive!"… In this way, in less than an hour, regardless of personal safety or any conditions, the first batch of more than 20 elite teams covering all professional fields such as construction, structure, water supply and drainage, electrical, HVAC, and cost was established. At this time, the cold rain in Jiangcheng is like a knife, the novel coronavirus ghost with its teeth and claws is wandering outside the door, the famous sword is unsheathed, Yang Jianhua leads the team to overcome many difficulties such as traffic blockade, and rushed from the central city to the outer suburbs as soon as possible – the dark Huangjia Lake Thor Mountain scene, with the help of mobile phone lights for on-the-spot exploration…

Returning to the Wuchang office building from the project site, I was cold and hungry. On this special New Year’s Eve, the office building of the Central South Court did not turn on the heating, because of the Spring Festival holiday and traffic blockade, the building was empty, and the canteen was closed, unable to serve supper. At this moment, the warriors of the Central South Court were starving and cold, and only the battlefield was in their eyes! Just as they were shining the sword and Thunder God Mountain, the Robe Ze construction party who were in the same boat was also running desperately. At 6:30 on the first night of the new year, the first batch of 50 managers arrived at the scene, and more than 200 workers were in place. There were also a large number of bulldozers, excavators, dump trucks and other equipment. During the peak period, the number of on-site workers was expected to reach 2,000. It is difficult to build a house without wood in Luban, and it does not rain without clouds in the sky – design is the premise of construction. The drawings must come out early, so that the construction party can build according to the drawings at full capacity, build a hospital as soon as possible, and save people as soon as possible! On the New Year’s Eve, Yang Jianhua, who was on the scene, encouraged the team to work hard and come up with a design plan. They worked all night and fought hard for 12 hours. At 9 o’clock the next morning, a plan full of the wisdom of Zhongnan people was born! At 1:30 noon on the first day of the new year, Yang Jianhua reported to the municipal government with the freshly released draft of the plan. City leaders spoke highly of it: In such a short period of time, you have come up with a relatively comprehensive and good plan. The Central South Court is really a collective that can fight!

The follow-up work is difficult.

Life is heavier than Mount Tai, epidemic is the order. In 6 days, the total planned construction area of Leishenshan Hospital has increased 3 times, from 30,000 square meters to 80,000 square meters, and the number of beds has increased from 1,000 to 1,500. The planning layout and design scheme have been keeping up with the situation and responding to transient changes with rapid changes. This is the ultimate test of designers’ nerves, abilities and physical strength! In addition, the Spring Festival holiday is superimposed on traffic blockades, etc., resulting in difficulties in material supply and personnel scheduling. The Central South Hospital can only break through the design convention and build while designing – according to the materials that the construction party can purchase and the technology used, adjust the design at any time according to the place and time. This is dancing in "shackles"! " Yang Jianhua still maintained the elegance and calmness that were unique to women under great pressure, and was as energetic as ever. "Adhere to the bottom line of life safety, fire safety and structural safety, and everything is mainly construction!" She commanded the "high-end" team like an artist, and seamlessly connected the two lines between the office and the construction site to adjust and optimize the construction map design step by step.

Chou Zhengyan, the head of the Leishenshan project planning and the director of the third architecture department of the First Architecture Institute of the Central South Academy, said from the bottom of his heart: "I have been designing hospital buildings for ten years. The difficulty of the Leishenshan project is so great and the time is so tight. I really don’t know, but we must work hard to achieve it – because our CEO Yang believes that it must be realized, and it will definitely be realized! She is our backbone, the needle of Dinghai Shenzhen, and we trust her!" The commander’s banner pointed to the sound of war drums! Although the bus has been suspended and there is no car at home, this small "post-80s" female pioneer and main designer rides a shared bicycle to and from get off work every day; as soon as she enters the office, she is busy fighting, and she is very tired. She holds a paintbrush and lies next to the computer on the desk for a while.

****

This article is selected from "Tribute to the Great She: Stories of 38 Chinese Women Fighting the Epidemic".

Hubei Women’s Federation, ed

ISBN 978-7-5127-1965-1

Original title: "Tribute to the Amazing Her" – Yang Jianhua: Thor, Blueprint, and Sword Rain

Read the original text

Di Lizheba: Revealing the story behind the self-introduction of the freshmen in the play

[Time]: August 22, 2024 [Location]: Shanghai Academy of Drama [Character]: Di Lizheba [Event]: Di Lizheba’s early stage drama freshman self-introduction [Background]: Di Lizheba, a Chinese mainland film and television actress, is loved by audiences for her unique exotic style and excellent acting skills. This time, we will uncover the mystery of her early self-introduction as a freshman of Shanghai Academy of Drama.

[Purpose and Intention]: This article aims to review the starting point of Di Lizheba’s acting career, and to show the growth process of this popular actress by recreating the self-introduction of her freshmen at the Shanghai Theater Academy, providing readers with an opportunity to gain a deeper understanding of Di Lizheba and arousing public attention to art education.

[Key information]:

  1. Di Lizheba’s performance in the self-introduction of the freshmen in the play
  2. The environment, atmosphere and the reaction of classmates at that time
  3. Self-introduction content and reflected personal characteristics
  4. The impact on his subsequent acting career

[Text]:

Prologue: The First Starlight

Back in time, the campus of the Shanghai Theater Academy was filled with the breath of youth, and the freshmen with dreams stepped onto the stairs leading to the palace of art. Among them, a girl named Di Lizheba, with the unique exotic atmosphere of Xinjiang, stepped into this institution that gave birth to many performing arts talents. Her arrival was like a bright new star, quietly rising in the night sky of the theater.

Chapter 1: Self-declaration on stage

The first lesson for freshmen was that unique self-introduction. When Di Lizheba stepped onto the podium, she looked nervous and excited under the spotlight. Her eyes shone with determination, and the corners of her mouth outlined a confident smile. Facing hundreds of pairs of expectant eyes in the audience, she began a crucial self-explanation in her life.

"Hello everyone, I’m Dilizheba Dilimurati from Urumqi, Xinjiang."

The short but powerful opening remarks instantly attracted the attention of the audience. She recounted her growing experience, from the vastness of the grassland to the prosperity of the city, from the love of folk dance to the persistent pursuit of performing arts. Her words were full of love for life and longing for the future. That sincerity and enthusiasm blew through the hearts of everyone present like a breeze.

Chapter 2: Unique Charm, Emerging

In the process of self-introduction, Di Lizheba showed a unique personal characteristic. She not only has a natural beauty, but also exudes a temperament from the inside out. Her voice is like a flowing stream, clear and beautiful; her demeanor is elegant and generous, as if she has a stage halo. When she talks about her understanding of the performing arts, the enthusiasm for deep digging of characters and the professional attitude of delicate interpretation of the script made the teachers and students present all admire.

"I want to be an actor who can move people’s hearts, tell stories with characters, and convey emotions with performances."

This is her vow in her self-introduction, and it is also a true portrayal of her acting career. At that moment, Di Lizheba was no longer the young freshman, but the shining star of tomorrow on the stage.

Chapter 3: Far-reaching Impact, Laying the Foundation

This self-introduction undoubtedly laid a solid foundation for Di Lizheba’s acting career. It not only showcased her talent and potential, but also won the recognition of her teachers and the admiration of her classmates. Since then, she has received more attention and support in her study and life in acting, as well as more opportunities for practical exercise.

Many years later, when we look back at Di Lizheba’s road to fame, it is not difficult to find that it was this freshman self-introduction that opened the door to her brilliant acting career. It was like a stepping stone, knocking on the door of the art hall, allowing her to step towards a bright star in the years to come.

Epilogue: Star-studded, the future is promising

Today’s Di Lizheba has long been a household name in film and television, but the moment she introduced herself as a freshman at the Shanghai Theater Academy is still as vivid as yesterday. It was the mark of her original intention, the place where her dream set sail, and the precious moment when we witnessed her go from ordinary to extraordinary.

Let’s look back at that history, walk into Di Lizheba’s inner world, feel the love and dedication to art, and appreciate the unique charm. Perhaps this is the secret of her being unique in the entertainment industry and loved by the majority of audiences.

[Conclusion]: Di Lizheba’s self-introduction is not only an important node in her personal acting career, but also an inspiration for all young people who have dreams and the courage to pursue them. It tells us that as long as there is a dream in our hearts and a path under our feet, everyone can shine on their own stage.

Responsible editor:

The first large-scale public art project in Changsha, METALOOP "Mixing", was grandly opened.

       Changsha IFS joins hands with Xingcheng to perceive the infinite cycle of art.

  On May 15th, 2022, the opening ceremony of METALOOP, Changsha’s first large-scale public art project, was successfully launched in Changsha IFS, further highlighting the city card of Changsha as the world’s new media art capital, and refreshing the public’s common understanding of media art once again.

  At the opening ceremony, Guo Runkui, deputy director of the Propaganda Department of Changsha Municipal Committee, secretary and director of the Party Committee of Changsha Municipal Bureau of Culture, Tourism, Radio, Film and Television, and representatives of eight joint units were invited to the scene to witness the launch of Changsha’s first large-scale public art project. On the day of the ceremony, the Art and Technology Summit Forum of "Society, Technology and Art in the Meta-Universe Era" was launched simultaneously. Dong Bingfeng, the artistic director and curator of METALOOP "Mixing" project, and six artists and scholars from the art, academic, science and technology industries all over the country conducted cross-border talks between contemporary art and public space.

  Dialogue with Urban Symbiosis | Changsha IFS explores new fields of art and technology

  On May 15th, METALOOP, Changsha’s first large-scale public art project, was successfully launched in Changsha IFS, under the guidance of Changsha Municipal Bureau of Culture, Tourism, Radio and Television, sponsored by Changsha IFS and planned by KUStudio, and jointly sponsored by four local museums and cultural organizations and four well-known enterprises and technology companies. Guo Runkui, deputy director of the Propaganda Department of Changsha Municipal Committee, secretary of the Party Committee and director of Changsha Municipal Bureau of Culture, Tourism, Radio, Film and Television, was invited to attend and delivered a speech, saying: "This 2022 Changsha Public Art Plan, through the most active and cutting-edge forms of art at present, discussed issues such as technological change and artistic practice in the era of the meta-universe, and promoted the city to implement the strategy of accelerating digital development and building a digital China, and the sustainable and all-round development of scientific and technological innovation. Show the world an international new aesthetic city image of culture, art and technology. Dong Bingfeng, artistic director and curator of METALOOP "Mixing" project, also sent congratulations on the online form and wished the ceremony a complete success. At the same time, Idy Tsang, Director of Promotion and Marketing Department of Changsha IFS, ying wang, Director of Service and Outreach of Changsha IFS Sub-tenant, and METALOOP "mixed".Project planner Peng Xinxin, co-founder and general manager of Xidi Zhijia Ma Wei, National Hybrid Rice Engineering Technology Research Center and Deputy Director of Hunan Hybrid Rice Research Center Office Rowling, Director of Changsha Museum Information Center Pu Yinghui, Deputy Director of Changsha Intangible Cultural Heritage Protection Center Zhu Peng, Deputy Director of Public Service Department of Longping Rice Museum Zhang Jingyi, Executive Director of Xie Zilong Image Art Museum Lu Ni, Zhang Xianming, vice president of Yuanda Technology Group and general manager of Yuanda Core Digital Technology Co., Ltd., Huang Liting, founder of P8 Planet, and Tang AirAsia, administrative assistant manager of Niygelo Hotel in Changsha, came to the scene to present their prospects and expectations for this art project.

  Dialogue Art Integration | Changsha IFS opens a new mode of commercial public space

  Changsha public art project METALOOP "mixing" is a dialogue between art and the city, but also between art and the public. In this art project, Changsha IFS invited 2 groups of well-known curators and 11 groups of domestic and international artists and groups to exhibit 3 groups of art projects, bringing art into commercial space and creating a multi-dimensional shopping experience for consumers. After the opening ceremony, the professional guided tour of the specially invited commentator on the spot further narrowed the distance between the public and art, and deeply felt the story and charm behind the works of art.

  West atrium of Changsha IFS LG2: Hu Jieming-the world’s first exhibition of large-scale public image installation "Image Palace"

  Hu Jieming is one of the pioneer artists of digital media and video devices in China. His artistic creation stops at the alternation of time, space-time, history and memory, which puts the public in an uncertain time and space in the past, thus arousing personal memory. Inspired by 5,000 images of Changsha’s real scenes, cityscape and daily life, the artist Hu Jieming created a large-scale public image installation "Image Palace", which is the world’s exclusive combination of virtual and reality. This is the largest image installation creation by Hu Jieming in the past five years. The new media sound and painting installation in the center of the palace was created by Edward Xu, which dynamically showed the temporal and spatial characteristics of Changsha’s ancient and modern changes, which is undoubtedly the best integration of local humanistic characteristics and modern high technology. During the tour, the public gradually discovered the familiar image of Changsha city, which triggered a heated discussion about the city memory.

  Outside the imaging device, an artificial intelligence driving experience game — The "Meta-Mine" intelligent cockpit has attracted great attention from the public and participated in the experience. Through the precise digital creation of "Image Palace", the game imitates the actual scene of Sidi’s intelligent driving in the mine to the greatest extent and cooperates with the automatic driving algorithm based on artificial intelligence technology. In these two cockpits, the public can travel through the image time and space through "driving games", control the self-driving mine card model to shuttle and mine in the virtual digital art installation, observe the Image Palace from different angles, and experience the local culture of the city.

  Changsha IFS Full Electronic Screen: SHIMMER- LED Big Screen International New Media Art Exhibition "Endless Dreams"

  Exhibition time: during the exhibition period
  10: 00/12: 00/14: 00/16: 00/18: 00/20: 00 for 20 minutes.

  The public video art exhibition "Endless Dreams" will be displayed in Changsha IFS Southwest Square, Northwest Square, Huangxing Road, L5 West Atrium and L7 Sculpture Garden by using the most forward-looking public LED electronic screen exhibition method. Disnovation.org (France), Joey Holder (UK), Saemundur Thor Helgason (Iceland), Kim Laughton (UK), nabbteeri (Finland), Lu Minglong (UK), Shi Ruini, Wang Jingxin and Xinyi Wang are nine groups of well-known domestic and international artists and groups. Presented in three story chapters: the dream of farmers, the dream of artists and the dream of drivers, the relationship among human beings, machines and sociality is re-conceived in a poetic way, which responds to the transformation towards the post-human era. At the tour site, the public took the lead in viewing three groups of works of art by Changsha IFS L5, and stopped to watch this new exhibition mode and expressed strong interest.

  Changsha IFS L7 Art Gallery: Lu Yang-Pioneer Artists’ New Works in Global Exhibition DOKU:HELLO WORLD

      Lu Yang, one of the artists participating in the theme exhibition of the 59th Venice Biennale in 2022, is also the winner of the 2022 "Artist of the Year" published by Deutsche Bank, and this time introduces his latest multimedia works.DOKU:HELLO WORLDDebut at Changsha IFS. Born for love and peace, DOKU is an inspiration creator who integrates multi-culture and spans art categories. Through guided tours, the public can see the integration of dynamic capture and 3D scanning technology, dance and music art in DOKU, and feel the infinite possibilities of artistic creation in the digital age together.

  Dialogue with "Metauniverse" Urban Forum | Changsha IFS opens a new prospect of digital art

On the afternoon of May 15th, the Art and Technology Summit Forum on "Society, Technology and Art in the Metauniverse Era" was held across the border. The forum was divided into two parts: round-table dialogue and cross-border dialogue, and was hosted by Dong Bingfeng, artistic director and curator of the METALOOP "Mixing" project of Changsha Public Art Plan. Keynote speech invited to Beijing? Hu Yong, Professor of School of Journalism and Communication, Nanjing? Lan Jiang, a professor of philosophy, and Huang Sunquan, a professor of China Academy of Fine Arts, gave a professional interpretation of "Society, Technology and Art in the Meta-Universe Era". The round-table dialogue invited Lu Ni, executive director of Xie Zilong Image Art Museum, Ma Wei, co-founder and general manager of Xidi Zhijia, and Hu Jieming, an exhibiting artist, to have a tripartite cross-border dialogue.

      Keynote speech: "This may be the first time in this century, and we may invent a brand-new aesthetics. That is to restart the imagination and invent new aesthetics. But to realize this expectation, someone must take the reins from the technical experts. "

      Keynote speech: "Things in the metauniverse are not passive, but can participate in the existence of the subject of the metauniverse to a certain extent. In this sense, the imitation law between people will inevitably expand to the imitation law between things."

       Keynote speech: "The metauniverse may not be very advanced in technology in the past decade, but it provides infinite imagination and possibilities. We should find ways to regenerate ourselves from our own life experiences and those gaps."

       Roundtable dialogue: "Art is personal and shared. Each of us is a small universe, and art fills the aesthetics of the public everywhere. "

      Roundtable dialogue: "Yuankuang is a sub-brand of Xidi Zhijia in the field of mine automatic driving. The goal is to build a mine operation mode with equipment intelligence and online remote cooperation similar to Metauniverse based on technologies such as automatic driving, artificial intelligence, Metauniverse and 5G."

         Roundtable dialogue: "Space is the place where we live. The spatial dimensions we face are multiple, and we can change space, expand space and create space. "

       At the Art and Technology Summit Forum of "Society, Technology and Art in the Meta-Universe Era", seven guests tried to explore the more possibilities of "we" for technological innovation, artistic innovation and space sharing from the concept of "Meta-Universe" in many fields such as society, science, art and public space.

  Dialogue with Underground Kilometers | Limiting the Courtesy of High-end Minerals and Perceiving the Beauty of "Treasures"

  Changsha IFS and Xidi Zhijia started cross-border cooperation to mine rich ores with the highest metal content in China, and customized exclusive ore certificates and digital certificates. Each ore has a unique corresponding number in the world, creating a limited number of high-end ore courtesy.

  Breaking, Awakening and Rebuilding | Building a Public Art Platform with Changsha as the Subject

  On November 1, 2017, UNESCO released the list of global "Creative City Networks" in Paris, and Changsha was selected as the "Media Art Capital" in the world, becoming the first China city to receive this honor. Changsha has thus entered an important stage of brand-new cultural industry innovation and development. In the future, Changsha will implement the 14th Five-Year Plan and the strategy of "Three Highs and Four Innovations", implement the plan of "accelerating digital development and building a digital China" and the strategy of scientific and technological innovation, sustainable and all-round development, deepen the image of "World Media and Art Capital", and show the world an international new aesthetic city with taste, style, connotation, temperament and value, and an international artistic and cultural innovation city.

      If the most important presentation space of traditional art is the museum, then today, with the rapid development of globalization, more and more urban public spaces and cultural and commercial complexes are actively promoting and constructing "art — The benign interaction of public relations and an open network of future thought experiments. Undoubtedly, Changsha IFS initiated the "2022 Changsha Public Art Plan METALOOP‘ Mix ’ " For Changsha and its surrounding areas, an important case of promoting the development and renewal of urban culture with artistic creativity is being established.

  More activity information

  About 2022 Changsha Public Art Plan METALOOP "Mixing"

  -Changsha IFS

  Exhibition: Image Palace

  DOKU:HELLO WORLD

  Unremitting dreams

  Time: from now until June 30th, 2022.

  Opening hours: 10: 00 & ndash; ten o’clock pm

  Address: No.188 Jiefang West Road, Furong District, Changsha, Hunan.

  -Niygro Hotel Changsha

  Exhibition: "Modern Lighthouse" Shenglong City Image Exhibition

  Time: from now until June 20th, 2022.

  Opening hours: open all day.

  Exhibition: Cloud Painting Appreciation? Dream in a Dream "Fang Shibiao Sky Suite Art Space"

  Time: from April 22nd, 2022.

  Opening hours: 10: 00 & ndash; six o’clock pm

  Address: Changsha IFS T1, No.188 Jiefang West Road, Furong District, Changsha, Hunan Province

  - Yuanda Xinjian digital technology

  Exhibition: 70 Island /70 DAO

  Time: permanent exhibition throughout the year (the exhibition content is updated regularly)

  Opening hours: 08: 00 every Monday to Friday & ndash; six o’clock pm

  Address: Yuanda City, No.3 Yuanda Road, Changsha County, Changsha, Hunan Province

  - changsha museum

  Exhibition: "Xiang Jiang Bei Qu — Changsha Ancient History and Culture Exhibition "

  Time: permanent exhibition throughout the year

  Opening hours: 09: 00 every Tuesday to Sunday & ndash; five o’clock pm

  Address: Southwest of the intersection of Xiangjiang North Road and Qifeng Road, Kaifu District, Changsha, Hunan (Changsha Binjiang Cultural Park)

  - Changsha intangible cultural heritage museum

  Exhibition: Xiang SHOW— Xiangxiu Life Aesthetics Exhibition "

  Time: from now until June 20th, 2022.

  Opening hours: every Tuesday to Sunday at 09: 30 & ndash; five o’clock pm

  Address: Juzizhou Scenic Management Zone, Yuelu District, Changsha City, Hunan Province (formerly Juzhou Inn)

  -Sidi Zhijia

  Exhibition: "Hideki Driving Exhibition"

  Time: permanent exhibition throughout the year

  Opening hours: every Monday to Friday from 10: 00 to 18: 00.

  Address: A3-A4, Hunan Inspection and Testing Characteristic Industrial Park, No.336 Xueshi Road, Yuelu District, Changsha, Hunan.

  - Longping rice museum

  Exhibition: Permanent Exhibition of Rice Culture 2022

  Time: permanent exhibition throughout the year

  Opening hours: 09: 00 & ndash; five o’clock pm

  Address: Renmin East Road, Furong District, Changsha, Hunan

  - P8 planet

  Exhibition: Soft Space-A Unit Exhibition of the Curator Plan Phase I

  Time: June 4-July 31, 2022

  Opening hours: every Thursday to Sunday at 10: 00 & ndash; six o’clock pm

  Address: P8 Planet, Yuanda City, No.1 Yuanda Third Road, Changsha County, Changsha City, Hunan Province

    About Changsha IFS interactive experience

    -The Founding Fathers of the Arts Light up the Medal for Redemption.

  Time: April 30-June 30, 2022

  Combine the function of Changsha IFS small program medal, start the Art Founders program, and there are many surprises and gifts waiting for you to discover.

  Top wave player medal — Scan the code in the LG2 "Meta-Mine" intelligent cockpit and participate in the "driving game" to light it up;

  Frontier Art Coffee Medal — Scan the QR code of the Live Art Founders Project in L7 Art Gallery to light it up.

  Art Pioneer Medal — Use indoor mixed real-life navigation iGO to find treasure in the interactive screen of LG2 "Image Palace", L7 Art Gallery and L7 Sculpture Garden.

Beijing auto show opens, 82 new cars start at home and abroad.

       Cctv newsThe Beijing International Auto Show, originally scheduled for April 21st, opened in Beijing yesterday (September 26th) after being postponed for more than five months. This is also the world’s first A-class international auto show since the COVID-19 epidemic. Against the background of the global epidemic and the international economic downturn, the heavy appearance of the Beijing Auto Show has a special role in boosting the morale of the global auto industry. Let’s go to the scene and have a look.

       Today, in the exhibition hall of auto china, new car launches are one after another. As the only international top-level auto show held in the world this year, the total exhibition area reached 200,000 square meters, and 785 vehicles were displayed, including 82 world first cars, which attracted almost all well-known automobile brands at home and abroad to participate.

       The new energy vehicles that debuted at the Beijing Auto Show accounted for 40% of the total, which truly achieved competition with fuel vehicles. Dongfeng Motor Group exhibited its own high-end new energy brand to the public for the first time, and launched the first mass-produced model to be listed next year, highlighting the interactive function between people and vehicles.

       The new cars exhibited by many car companies at the exhibition site are gradually younger for the first time to buy cars, and they are more and more suitable for the aesthetic orientation of the post-95 s and post-00 s in terms of design and main functions.