标签归档 上海水磨会所

  • 首页   /  
  • 标签： "上海水磨会所"

Netease Cloud Music Product Analysis： Competition has been going on for a long time, and it is still unknown who will win.

At present, under the fierce competition in the mobile music client market, Netease Cloud Music has increased its competitive chips by arranging videos, musicians, advertisements and live broadcasts. The obvious benefits also affect the experience of some users. At the same time, copyright issues have also led to the reduction of its users. But overall, Netease Cloud Music can still occupy a large share in the market with its strategic positioning of "music+social".

According to the data of iiMedia Research, the mobile music client industry in China continues to develop steadily, with the number of users reaching 533 million in the third quarter of 2018 (see Figure 1).

Figure 1: The scale of music client users in the third quarter of 2018 (data from Ai Media Consulting)

This data, the test report in the first quarter of Ai Media Consulting was 514 million (an increase of 1.78% compared with the fourth quarter of 2017, see Figure 2 for details). Although it has been predicted in the first quarter report of Ai Media Consulting that the user scale of mobile music client in China is gradually saturated and the market structure is stable, the user scale is still slowly expanding.

Figure 2: User scale of mobile music client in China from 2016Q1-2018Q1 (data from Ai Media Consulting)

According to the monitoring report of mobile music client in China in the first half of 2018, 66.7% of the interviewed mobile music client users are willing to pay for products or services in the client in the first half of 2018. With the increase of users’ willingness to pay for copyright, the competition of music platforms has gradually increased from single-point competition such as copyright and content to all-platform and all-field ecological competition.

To sum up, the market scale in China mobile music client industry is slowly expanding, and users’ willingness to pay is increasing. Moreover, the competition in the mobile music client industry in China has gradually shifted from copyright to pan-entertainment eco-competition in all fields.

In the mobile music client industry in China, the current camps have been basically stable. Since the advent of Cool Dog in 2004, Netease Cloud Music was born in 2013, and it quickly occupied the market as a dark horse. The scale of the mobile music client industry in China basically formed a three-legged pattern: Tencent Music (TME, including QQ Music, Cool Me Music and Cool Dog Music), Netease Cloud Music and Ali Music (including Xiami Music and Everyday Music).

As of July 2018, according to Quest Mobie data (see Figure 3 for details), the monthly user scale of online music industry top5APP is occupied by these three camps. Among them, TME harvested the top three.

Figure 3. Monthly user scale of online music industry top5APP (data from QUEST MOBIE)

All the above are the general situation of the whole industry.

So what is the situation of the whole industry for Netease Cloud Music? We can see this from three figures (Figure 3, Figure 4 and Figure 5).

Figure 4 Changes in the number of people who overlap Tencent Music APP and Netease Cloud Music and the exclusive rate (data from QUEST MOBIE)

Figure 5 Comparison of main application indicators between Tencent Music and Netease Cloud Music APP in July 2018 (data from QUEST MOBIE)

Figure 3 We can see the volume gap between Netease Cloud Music and Tencent Music. In Figure 4, we see that from July 2017 to July 2018, the number of people who have Netease Cloud Music and Tencent Music has increased (that is, the number of people who have Netease Cloud Music Halo and TME products has increased). As can be seen from Figure 5, Netease Cloud has a high music retention rate and unloading rate.

Then according to the differences between Netease Cloud Music and Tencent Music in the past, we can draw a conclusion:

The reason why Netease Cloud Music overlaps with QQ music users is that the Copyright Bureau intervened in February this year, which made the copyright exchange between Netease Cloud Music and TME reach at least 99%. The difference of 1% (Tencent’s unique copyright is about 5 million, and 1% of the copyright is about 50,000 songs) leads to a decline in the user experience, which leads to such a high 7-day retention rate of Netease Cloud Music. The unloading rate is also so high.

Another data can also reflect the correctness of the high conclusion from the side (see Figure 6 for details).

Figure 6 (the first quarter of 2018) Nearly 80% of users are accustomed to using multiple digital music apps at the same time (data comes from Bida Consulting)

Figure 6 shows that it is difficult for a single APP to meet all the needs of users.

The reputation of Netease Cloud Music (especially in song list recommendation and UGC) has always been very good, but users actually install multiple softwares, which also proves from the side that the reason why the user scale of Netease Cloud Music is limited is the copyright limitation.

As mentioned earlier, the user volume of Netease Cloud Music is far less than that of TME, but Netease Cloud Music has always been the growth of users with the difference of "music+social" and the support of some die-hard fans.

As mentioned above, it is precisely because of the difference of "music+social interaction" that Netease Cloud Music will not become a niche APP even though its copyright is restricted. It occupies the fourth place in the total number of users, far higher than Xiami Music.

Then, what are the advantages of Netease Cloud Music in the current situation of obvious disadvantages?

As product people, we prefer the following data to prove the existence of advantages, and then analyze the advantages and make iterative updates for future products.

1.3.1 User activity

User activity is one of the standards that can best reflect the quality of a product. It measures the user’s attitude towards the current product.

According to the comparison between QuestMobie’s list of monthly users in online music industry in July 2018 (Figure 7) and the list of monthly users in online music industry in July 2017 (Figure 8), it is obvious that Netease Cloud Music has the fastest growth rate in this year, and it has already threatened a cool music in TME.

It can be seen that the obvious shortcoming of Netease Cloud Music-music copyright issue has not caused a fatal blow to Netease Cloud Music. The current layout of Netease Cloud Music is also successfully bridging the gap, but the gap is still very large.

Figure 7 (the same as Figure 3) The monthly user scale of online music industry in July 2018 top5 APP (data from QUEST MOBIE)

Fig. 8 Monthly users of online music industry in July, 2017 top10 APP (data from QUEST MOBIE)

1.3.2 User stickiness

User stickiness reflects another dimension of the product: loyalty to the product.

As we saw earlier, Netease Cloud Music has a higher 7-day retention rate and a higher uninstall rate than other top five apps. We analyzed it because of the copyright issue of Netease Cloud Music. Then, the user viscosity can let us clearly see how many users are loyal powder.

According to the comparison of the monthly average usage times and activity rates of Tencent Music and Netease Cloud Music APP in July 2018 (see Figure 9 for details), we can clearly see that compared with TME, Netease Cloud Music has no disadvantage in terms of monthly average usage times and activity rates, and even has more advantages in combination.

This represents the current operation mode of Netease Cloud Music (the core is "music+social"). In the case of short-board copyright, the user’s loyalty is still not worse than the other three, and even has an advantage.

Figure 9 Comparison of main application indicators between Tencent Music and Netease Cloud Music APP in July 2018

1.3.3 User coincidence degree

The user coincidence degree we analyzed earlier represents the situation that Netease Cloud Music and other APP functions complement each other.

The higher the degree of overlap, the higher the degree of functional complementarity (see Figure 10 for details), and the higher the possibility of being irreplaceable.

We mainly analyze the number of overlapping users between Netease Cloud Music and TME. The higher the overlap, the greater the possibility of representing Netease. The following figure shows that the overlap between Netease Cloud Music and TME is increasing from July 2017 to August 2018. Although their respective layouts have changed, the advantages and disadvantages of APP are obvious, but at present, from the point of view of coincidence, Netease Cloud Music does not have the conditions to beat TME, but the market will not be eaten by TME.

Figure 10 Changes in the number of people who overlap Tencent Music APP and Netease Cloud Music and the exclusive rate (data from QUEST MOBIE)

And a very interesting thing happened here. Netease Cloud Music not only has an increased overlap with TME, but also has an overlap murder book with Bili Bili and Tik Tok, which is far superior to other music apps. It is secondary, young and trendy (see Figure 11 for details). This shows that Netease Cloud Music has achieved initial results in the layout of video functions.

Fig. 11 The number of people and the exclusive rate of Netease Cloud Music, Billie Billie and Tik Tok (data from QUEST MOBIE).

Advertising delivery

The first is the comment area advertisement.

Comments are a major feature of Netease cloud music, and browsing comments has basically become the habit of Netease cloud music users. Often, some popular music (even minority music with the rise of Netease Cloud) has rich comments. Even sometimes I forget the name of a song and still remember the comments, so putting advertisements in the comments is more in line with the interests of cooperative manufacturers and Netease Cloud Music.

Secondly, the support for new musicians (such as advertisements for new musicians in the interface) has also become one of the incomes of Netease Cloud Music.

This move does not directly charge fees, but because they are all online musicians on their own platforms, the payment caused by their promotion is also one of the incomes. Moreover, it is a win-win situation between the platform and musicians, and musicians will also directly participate in the dividends of advertising and other expenses. It is said that Mu Xiaoya will get nearly one million dividends in 18 years, which will also drive more UGC creation.

Finally, it is the most common open-screen advertisement.

Open-screen advertisers are mainly the promotion of high-end brands and Netease’s self-operated products (such as Netease koala, etc.). This is the most conventional way to collect money for advertising.

value added service

Netease Cloud has three common value-added services:

First, vip charges, the most conventional way of charging. Getting vip can get a higher definition sound quality experience, and can experience the services of non-members, such as advertising-free, personalized skin, etc. The second kind of value-added service is also very routine at present: listening to songs without traffic. The last one is knowledge payment, such as "Chen Li Living Room", which needs to be paid before listening, similar to the payment of common knowledge such as getting it.

Yun music shopping mall

There are three main ways to cloud music mall:

  1. Integral mall, you can exchange points for coupons or vouchers of partners.
  2. Welfare society generally deals in products endowed with musical meaning or related to music. Similar to ordinary e-commerce operations, but some will receive vouchers.
  3. Ordinary e-commerce, selling their own goods or music areas.

But overall, Netease Cloud Music Mall is similar to the periphery of animation. Mainly engaged in music-related or music-endowed goods, the way to make a profit is simply to sell goods to make money.

Ticketing system

In order to solve the problem of scalping tickets, and unable to choose a suitable location or forget to buy tickets, Netease Cloud Music launched a ticketing system. The profit-making method is no different from other ticketing systems.

This not only serves the corresponding user groups in a targeted manner, but also reduces the impact of commercial advertisements on the user experience. Users click on the corresponding performance information and link to the specific page, where they can view the performance time, place, price and seats in detail and purchase tickets.

Netease Cloud Music is an APP that provides music services based on "music+social interaction" and takes users as the center. Relying on professional musicians, friends recommendation and social functions, online music title list, personalized recommendation, radio station, etc., focus on discovery and sharing.

In terms of music, with the song list as the framework, the user’s music needs are met through three sections: the song list established by the user, the daily recommendation recommended by the system and the song list of the system. On the social side, it is achieved through the song comments that Netease Cloud Music is famous for, as well as people and friends nearby. This enhances the sharing and communication properties of music, and pays attention to and encourages users to produce more high-quality UGC content to meet the needs of users’ music socialization, sharing and expression.

Netease Cloud Music is divided into five product structure branches: Personal Center, My Music, Discovering Music, Video and Search. Through the product structure of page analysis, we can see the bird’s eye view of the whole product and know the existence and completion process of each function. See Figure 12 for details.

Figure 12 Netease Cloud Music Product Structure Diagram (Analysis by Page)

Netease Cloud Music is a rising star in mobile Internet music. Netease Cloud Music has reached the fourth position in terms of mobile Internet music in terms of volume and users by means of "music+social interaction".

Figure 13 User Product Experience Path Map

Music is basically a necessity for almost everyone. Compared with all netizens, users of online music are obviously younger, and there is little difference in gender and intercity distribution characteristics (see Figure 14 for details).

According to the online music users’ age and inter-city distribution map in July 2018, users aged under 24, 25-30 years old and 31-35 years old account for 84.3% of the total users. The proportion of men and women is 51.4% and 48.6% respectively. According to TGI, female users are more consistent, which happens to be similar to the proportion of Netease cloud music users (see Figure 15 and Figure 16 for details).

According to Ai Media data, there are more women among Netease cloud music users. In addition, people under the age of 24, 25-30 years old and 31-35 years old account for more than 80% of the total users, reaching 89%. It can be seen that the distribution of user groups of Netease Cloud Music is basically consistent with the data of the whole industry, but the focus is slightly different.

Industry data shows that people under the age of 24 have the highest proportion, while Netease Cloud Music has the highest proportion of 25-30 years old; In terms of gender, Netease Cloud Music has slightly more women than men, while the whole industry data shows that men are slightly more than women, but TGI also shows that female users are more consistent.

Figure 14 The age and intercity distribution map of online music users in July 2018 (data from QUEST MOBIE)

Figure 15 Gender diagram of Netease cloud music users (data comes from iResearch APP index)

Figure 16 Age distribution map of Netease cloud music users (data from Ai Media Consulting)

In addition, according to QuestMobie’s online music user interest preference TOP20 in July 2018 (see Figure 17 for details), it can be seen that online music has a high penetration rate in various industries. Especially social, video and music. ; It can also be seen that music, learning and animation have higher values in the active penetration rate TGI.

Figure 17 TOP20 of online music users’ interest preference in July 2018 (data from QUEST MOBIE)

Comprehensive Netease Cloud Music is similar to the overall trend of the industry, with the age of about 24 to 35 years old, with little gender difference. In the entire online music industry, social, video and music have the largest active penetration rate, while music, learning and animation have the highest active penetration rate. We will get the user portrait of Netease Cloud Music as follows:

  • Student groups:This group has more time, more social activities in the world, watching videos, listening to music, and more interest in school, and their age is basically under 24 and between 25 and 30.
  • Young white-collar workers and Internet practitioners:Generally speaking, people in this group are more eager for new things than other age groups and industries. But relatively speaking, it belongs to a group with greater pressure, piecemeal time, more overtime, and more willingness to open up their own horizons and careers through study. It is a group with pressure, vitality and ambition, and rich feelings.

According to Netease Cloud Music’s recent layout of niche music, video and music originality, another user group of Netease Cloud Music can be deduced:

  • Professional musicians and music creators:This group pursues fashion, freedom, sharing and quality.

According to Maslow’s demand analysis method, the priority of product functional design can be divided into five categories from high to low: usability, ease of use, ease of use, love of use and dissemination. According to this theory, we can get the product demand management priority of Netease Cloud Music, and then deduce the user demand of Netease Cloud Music.

As shown below:

Figure 18 Maslow Demand Analysis Diagram

"Music+Socialization" is basically what all music platforms are doing now, and Netease Cloud Music is a leader in this respect.

Netease Cloud Music’s approach is to make music resonate and communicate. People are emotional animals, especially when immersed in music, it is very easy to blend in or substitute their own experiences, and then they like to express their feelings about songs and share their experiences.

The music comment area has become the first stop for users’ UGC creation, and it also incorporates the social nature. When you can listen to songs, while listening to songs, you can watch stories that are similar or touching to yourself in the comment area, and you can pay more attention to commentators to achieve the purpose of socializing.

Figure 19 Screenshot of Netease Cloud Music Interface (1)

The second stop of UGC creation is the song list created by users themselves.

Everyone has his own taste, but there are always people who are similar to him, and there are always people who have songs that they like but haven’t heard. Therefore, song list recommendation came into being. Users can walk into the song list created by others through the song list name, classification or a piece of music with their own memories and feelings in the song list, discover new music, and even collect the song list.

When users use Netease cloud music, they will also classify their favorite songs. Your friends or through the nearby song list can also see the user’s song list and enjoy it, so as to achieve the purpose of "music+socialization".

Figure 20 Screenshot of Netease Cloud Music Interface (2)

The third stop of UGC creation is the music created by Netease Cloud musicians. This is the layout of Netease Cloud Music in terms of "copyright disadvantage+minority music+individual musicians". Introducing more musicians can not only satisfy the audience (especially the minority music audience), but also make people with musical talents or hobbies and dreams give full play to their own specialties and solve the copyright problems of some songs.

Figure 21 Screenshot of Netease Cloud Music Interface (3)

The social function is divided into four parts, namely, music comment socialization, song list socialization, and the dynamics of people and friends nearby. Among them, the socialization of music criticism and song list has been described in detail, so I won’t repeat it here.

The function of people nearby is a combination of "unfamiliar social interaction+music". Through the dynamics of people nearby, you can see the kinds of music that other users like. Even if you don’t pay direct attention to communication, you can make users enjoy more different songs through the song list or dynamics of people nearby, break the cognition of their original songs and increase the user’s stickiness.

Now, with the addition of video, we can not only see music and song lists through people nearby, but also see videos. Video is one of the key points in the layout of major companies now. The function of people nearby can also enhance users’ new understanding of Netease Cloud Music Halo, that is, "Netease Cloud Music Halo not only makes music, but also makes videos", thus achieving the purpose of diversification of Netease Cloud Music functions.

Friends are dynamic, which is similar to socializing with strangers. You can also see the songs and videos of users’ friends. The biggest difference is that friends tend to "socialize with acquaintances" dynamically, while people nearby socialize with strangers. Therefore, socializing with acquaintances has a unique advantage-it can communicate with each other through music. Even though a large number of users do not reach the point of acquaintance or communication through friends, the dynamics of friends have reached the social role as well.

Figure 22 Screenshot of Netease Cloud Music Interface (4)

Music recommendation is another major feature of Netease Cloud Music, which is mainly manifested in scene recommendation and personalized recommendation based on big data analysis.

Scene recommendation has the following functions in Netease Cloud Music: song list, recommended song list, anchor radio station, radio station classification, classical zone and other functions classified according to mood and environment; And a more distinctive running FM, dedicated to running scenes.

This greatly facilitates users to choose music that is more suitable for their mood according to their mood, environment and other conditions, and increases customer satisfaction, stickiness and loyalty. On the other hand, Netease Cloud Music has personalized recommendation based on scene classification, and users can also classify their own songs according to their own habits after using habits to enhance sociality.

Figure 23 Screenshot of Netease Cloud Music Interface (5)

Personalized recommendation is another function of Netease Cloud Music Word of Mouth Peak. Many users have shared music in social circles before, and commented that "this song really suits me", "Netease Cloud Music really understands me" and "this song is so good that it cries", etc. This is based on the big data such as the type and frequency of songs that users like to listen to, analyzing the recent listening characteristics of users and making recommendations. Of course, big data analysis needs data, and personalized recommendation may not be particularly accurate if new users use it less.

Personalized recommendation is embodied in private FM, daily recommendation, daily song list and so on.

Figure 24 Screenshot of Netease Cloud Music Interface (5)

According to the statistics of ASO100 books, Netease Cloud Music has a high score on the iOS system (see Figure 25 for details). The current score (as of November 2018) and all version scores (as of November 2018) are 4.7 points, indicating that iOS users have a high evaluation of Netease Cloud Music.

Figure 25 Netease Cloud Music iOS score statistics (data from ASO100)

On the other hand, the score of Android system (see Figure 26 for details) is much lower than that of iOS, with the highest score of 4.6 and the lowest score of 3.5 (Google Play data is 0, which is not included in the statistics). This shows that the Android system needs to continue to be optimized to further improve user satisfaction.

Figure 26 Netease Cloud Music Android Score Statistics (data from ASO100)

Through the ASO100 data, the typical users’ positive comments and negative comments are extracted as follows (Figure 27). A typical user refers to a user who appreciates or hates a certain point in favorable and unfavorable comments, and is representative.

Figure 27 screenshot of typical user comments

From the comments, it can be seen that users’ views on copyright requirements are not one-sided. Some have uninstalled the software because of copyright problems, but some have directly ignored this defect and continued to use it, but the copyright problem is still one of the problems that need to be solved. After all, listening to songs is the most basic function of Netease Cloud Music. If this function cannot be met, other functions are not so necessary.

With the more and more perfect function of Netease cloud music and the addition of profit factors, some users began to question the initial intention of Netease cloud music while enjoying better experience services. For example, the addition of video can make "music+picture sense" presented to customers at the same time, but for some customers who just want to enjoy music or recommend videos to influence their use, these have become design failures.

According to user feedback and user ratings, it can be seen that Netease Cloud Music has a large number of supporters. Although the copyright and the new layout affect the experience of some users, users have a high evaluation of Netease Cloud Music on both Android and iOS. However, in order to better maintain a high reputation, Netease Cloud Music should better adjust the strategy between profitability, new function layout and user experience, and maintain the user stickiness of loyal fans, so as to ensure that it is invincible in the industry shock.

No matter which organization’s survey data, we can see that the total number of online music users is increasing, and users’ awareness of paying is enhanced. The online music industry is still a valuable market. However, in this competition, Netease Cloud Music’s defects in copyright make it relegated to TME. However, according to the strategy of "music+socialization", Netease Cloud Music, a rising star market, will not be swallowed up by TME or other competing products in the short term.

Netease Cloud Music keeps making various attempts to get rid of the dilemma. Layout videos, musicians, advertisements, live broadcasts, etc. are all increasing their competitive chips. The benefits are obvious, but the decline of user experience can not be ignored. Nowadays, the online music industry is laying out its own pan-entertainment ecosystem, especially TME, which has formed its own ecological closed loop. Netease Cloud Music still needs to make more attempts to break the blockade.

Regarding the copyright issue, I have analyzed the disadvantages of Netease Cloud Music. However, in the short term, this disadvantage is not only the efforts to obtain copyright, but also the cooperation between their own musicians and Netease Cloud Music to ensure that the copyright of minority music does not go wrong and that they do not show disadvantages in minority music.

Competition in the online music industry has a long history, and it is still unknown who will win in the future.

　

This article was originally published by @ Sima Shizike. Everyone is a product manager. It is forbidden to reprint without permission.

The title map comes from Unsplash and is based on CC0 protocol.

Park Si Hoo plays a writer in the new film ＂I am a murderer＂ with fans.


Park Si Hoo and his fans filmed the scene.


Stills of "I am a murderer"

　　　 Movie network news(Compile /Ben) According to Korean media reports, Park Si Hoo had a unique filming time with his fans. According to Korean media reports, the film "I am a Murderer" was filmed in a bookstore in Jongno, Seoul at the end of January. Park Si Hoo, the leading actor, appeared with his fans and had a very special time. "I am a murderer" is positioned as an action suspense film, which tells the story of a serial killer who reappears in public after the expiration of the limitation of public prosecution, and assembles the records of his criminal process into a book and becomes a best-selling author. Park Si Hoo played the role of serial murderer "Li Dongshuo" in the film.

　　　 The picture taken that day was "Li Dongshuo" attending the signing ceremony of his new book, and his supporters and opponents gathered at the scene. These extras are performed by more than 100 fans in Park Si Hoo. Despite staying up late to shoot, and the temperature was very low that day, more than 100 fans always accompanied the idols to shoot one by one. South Korea’s KBS TV also reported on this scene.

　　　 Park Si Hoo said in an interview: "Thanks to the fans, I have a very good memory. Although the weather was very cold, everyone smiled and participated in the filming from beginning to end. I am very sorry and grateful to these fans. They made me realize my sense of responsibility. " In addition, I am a murderer has entered the post-production stage and will be released in the first half of this year.

Interview ｜ ＂Family with Children＂ All Return to the Movie？ ＂Xia Donghai＂ rumors

Special feature of 1905 film network At the beginning of the year, the chief producer of "Family with Children" announced that he planned to call the original crew, such as,,, and so on, to shoot the big movie "Family with Children". The classic return of the screen triggered a hot discussion on the whole network.


"Without this, there is no progress." Gao Yalin recently accepted an exclusive interview with 1905 Film Network and denied participating in the project. He said that many years ago, they really wanted to make an extended version of Family with Children, which was also a dream of five people. Later, it was not completed for various reasons, and the previous release had nothing to do with Family with Children.


"One year, the five of us scraped together to shoot an advertisement, and we were very emotional. Why don’t we get together again when we grow up? We are all like a family. We were very impressed by that advertisement. We haven’t got together like this for many years. It feels like yesterday. There is no need to discuss filming at all. The tacit understanding is amazing. "


As a producer and producer, Gao Yalin, together with, began to enter the micro-short drama industry.


Although the return of all members of "Family with Children" is far away, he said that he is creating a short drama with a family theme similar to "Family with Children", and he also hopes to invite the original class to help and fulfill the long-awaited dream. "But they are all too hot, and the schedule is full. It’s so difficult. At that time, a group of us wanted to make a movie, and it was too difficult."



"Xia Donghai" in "A Family with Children" is deeply rooted in people’s hearts. Through this interview, we can feel that Gao Yalin is as approachable as Xia Donghai in life and has no sense of distance.


From the newly released, his performance on the screen has also deepened the cordial image of "National Dad".



Their common "dad"


"I was very exclusive for a while. When I said that I was looking for my father, my head was big." Because of his success in shaping the image of Xia Donghai, a middle-aged father, Gao Yalin took on many roles of the same type. He admitted that he was so bored that he almost didn’t take on A Little Red Flower.


Later, he wanted to understand that every father’s role is different. As long as there is demand in the market, he will play well. "The audience, the director and the producer are good. They recognize you and follow the trend. Moreover, the role of the father is ever-changing and varied. Can’t all fathers be Xia Donghai? Why can’t they play? "


In the A Little Red Flower, Gao Yalin’s performance is appropriately contrasted and complemented with his mother’s and son’s personalities, thus forming a strong drama tension among the three people, and he won the most popular supporting actor in the media attention unit of the 18th film channel, which is also his first honor in the field of film actors.



From Andy, Zray, to the father in Viva La Vida, Gao Yalin cooperated with many young actors and was their good father on the screen.


Talking about his "children", he is very proud. "The children are still very competitive. The young actors I met are all very good later, better than me, which also shows that I am luckier than them, because I can meet such excellent them, and I am touched by their light."


In Gao Yalin’s eyes, these young actors who have worked together are all good children, who are sensitive and talented in acting. "I really haven’t met too many young actors who want to act first and get along very comfortably. They all respect me, love me, and just help me cross the street. I hope they don’t forget me when they get angry, "Gao Yalin said humorously.


Change the "sequela" of sitcom


Having cooperated with the director twice, Gao Yalin said that he liked each other’s films very much, depicting the reality of our lives like a line drawing and paying attention to the people around us.


"Han Yan told us on the first day that he liked the documentary performance. I said, your request is too high." Gao Yalin revealed that before the official shooting of "Viva La Vida", the director led the whole crew to shoot a small sample film in advance to capture the realistic film’s touching texture close to reality and try a documentary performance.



Through this film, Gao Yalin realized more deeply the difference between movie actors and TV actors. He thinks that many actors who often play TV series go to movies again, and the problem they encounter is that they can’t control their mouths, and it is difficult to calm down and express their emotions with their bodies or micro-expressions:


"In the past, dramas, especially sitcoms, caused me a lot of sequelae. In jargon, I am afraid that words will fall to the ground, and I always like to talk. I am always anxious to express in a play without lines, and that expression is only in the very single aspect of lines. When playing a movie, I will find that sometimes the lines are redundant. If it is inaccurate and not concise, it is better not to say it. "



Now some of the new scripts that Gao Yalin has received still have the role of father, but the theme is different from the past. There is a story about the growth of teenagers and anti-campus bullying, which he is very interested in.


Gao Yalin said that movies are like a temple in his mind, so don’t fool around. "You should be serious, don’t worry, sharpen the script, find a good director and actors, so be serious and shoot together."


Enter the miniseries industry.


At present, the micro-short drama industry is in full swing, and filmmakers such as Stephen Chow and Jing Wong have entered the market. Gao Yalin is not only an actor, but also a veteran producer in the industry. As the founder of Gaohe Film, he has begun to target the business opportunities in this industry.


As the chief producer, Gao Yalin has teamed up with the Migu platform to create a mini-drama "Here she comes, please move", which is being produced. At the 11th China Internet Audio-visual Conference held recently, he said that he was creating a comedy science fiction short play with Sanxingdui theme. He also revealed to the 1905 film network that he planned to create a short family drama similar to "There are children at home", "The family is happy together, which everyone wants to see".



In his view, more and more professional film and television people are entering the micro-short drama market, not only learning from the new format, learning the new rhythm of short drama, new fragmentation and reversal plot techniques, but also integrating with short drama. The integration is to make better works and spread everyone’s thoughts and thoughts to the audience through the new bridge of short drama.


Gao Yalin also paid special attention to the serious problem of homogenization of short plays, from the barbaric growth in the past to the need for upgrading and upgrading, moving towards quality and specialization.


"At the earliest, many short plays were online texts, that is, the online texts were directly translated, and the intervention of audio-visual language was not mentioned. And the filmmaker is good at telling stories in audio-visual language, so the participation of filmmakers will definitely be greatly improved in this respect. "Gao Yalin, taking" Here She Comes, Please Heart "as an example, has not made any special changes to the script on the basis of the original work, but will further strengthen the filming and production in terms of artistic makeup, professionalism of actors, and detailed expression of film and television.


He is not the one who will leave the market just by shooting a few short plays to make some quick money. "I am an ambitious person. I won’t withdraw until I make some works that I think are worth staying here." Gao Yalin said.


Ming-Na joined the new version of ＂Longwei Kid＂ and starred in Jackie Chan.

Longwei boy

Longwei boy

　　　　 On March 7th, Beijing time, according to foreign media reports, Ming-Na joined the new version of the well-known action film "Long Wei Kid", but his role was not exposed. Wang Ban (Journey to the West ABC) was originally scheduled to play the leading role, with Sadie Stanley and joshua jackson playing the leading role, and Jackie Chan and Ralph Macchio returned as the previous stars.

　　The film had previously announced the starring role in the global sea election, and now the film chose Wang Ban, saying that "he stood out from the global casting of tens of thousands of participants because of his proficiency in Mandarin and various martial arts, showing the deep connection between individuals and characters".

　　Directed by Jonathan Entwistle (What I Don’t Want) and Written by Rob Lieber (Peter Rabbit and Goosebumps 2), it was released in North America on December 13th this year.

　　Long Wei Kid, released in 1984, has been remake into Kung Fu Dream, a 2010 film about American children coming to China to learn martial arts (plus the new version, all three films are called Karate Kid, with different Chinese translations). The original version in 1984 tells about American teenagers learning karate from Japanese masters in California and understanding their philosophy. Machio starred in the 1984 edition, and Jackie Chan also appeared in the 2010 edition.

　　The second remake of this new version of the description: The story comes to the east coast of the United States, focusing on a teenager from China, who learns from a tough but wise elder and finds strength and direction from it.

　　(Meng Qing)

China’s first COVID-19 mRNA vaccine was approved to start clinical trials.

Xinhua News Agency, Beijing, June 25th (Zhuang Yingna, Shao Longfei) The novel coronavirus mRNA vaccine (ARCoV), which was jointly developed by the Institute of Military Medicine of the Academy of Military Sciences and local enterprises, was officially approved by clinical trials in National Medical Products Administration on the 19th. This is the first COVID-19 mRNA vaccine approved for clinical trial in China.

Since the outbreak of the COVID-19 epidemic, the Institute of Military Medicine of the Academy of Military Sciences has deployed emergency scientific research to tackle key problems, and at the same time promoted the research and development of vaccines in COVID-19 with multiple technical routes. COVID-19 mRNA vaccine made in China is another high-tech vaccine variety approved for clinical trial after recombinant COVID-19 vaccine (adenovirus vector) in our hospital.

According to Qin Chengfeng, the project leader and researcher of the institute, mRNA vaccine is a new vaccine form in recent years. Its basic principle is to introduce mRNA expressing antigen target into the body through a specific delivery system, express protein in the body and stimulate the body to produce specific immune response, thus enabling the body to obtain immune protection.

Article 20 broke 2 billion! The stamina is too great, but the ＂controversy＂ is still there.

Special feature of 1905 film network The director’s film did not gradually fade away with the end of the Spring Festival, but rose against the trend and became the biggest dark horse in the whole market after the schedule.


The film climbed and surpassed from the fourth place in the single-day box office. So far, it has topped the single-day box office champion for six consecutive days, and the cumulative comprehensive box office has officially exceeded 2 billion in 16 days.


Why is Article 20 able to make a comeback after the Spring Festival?


The reasons are the audience’s first choice to re-select films after fierce competition, and the re-layout after the squeeze of film arranging space, and the quality content that is firm enough is the key core.


The comedy elements and entertaining comedy style created by the intensive bickering of characters in the film are outstanding. As the first film with the theme of "justifiable defense" in China, the story content discusses the complexity of the topic of "justifiable defense" and the social practical significance caused by it, which makes the film last for more topics.


Article 20 takes the self-defense clause in the criminal law as the clue, and tells the story with the dilemma of emotion and law faced by prosecutor Han Ming in the case. It shows the blunt and abstract legal provisions and judicial practice with vivid and concrete expressions, and successfully builds a bridge of communication between the law and the public, which makes many legal workers deeply touched.



So, in reality, how do the legal person who is the "protagonist" specifically look at Article 20? How will they face the controversy in the three cases in the film? Are there any details in the presentation of legal content that are particularly realistic and can be further improved?


1905 Movie Network specially invited lawyer Zhou Zhaocheng of Beijing Anjian Law Firm, lawyer Wang Yahui of Beijing Lanshang Law Firm, lawyer Wen Yang, senior partner of Shaanxi Xuanmian Law Firm, doctoral student Shang Bowen of Peking University Law School, criminal lawyer Wang Wentian, and prosecutor YC (anonymous) of a district procuratorate of a city in Guangdong Province to gather a number of legal persons to analyze the legal issues in Article 20 from their professional perspectives.



1905 Movie Network: What impressed you after watching the movie Article 20?


Zhou Zhaocheng: My viewing experience is very complicated. I am saddened by the experience of the characters and gratified at the end of the story. What impressed me most was the case of Wang Yongqiang’s assassination of Liu Wenjing, because this case was based on the anti-killing case in Kunshan in 2018, and I was the first lawyer interviewed by the media at that time, so I felt the deepest! More importantly, Article 20 also conveys the voice of the people and appeals to law, reason and emotion.


Wang Yahui: I was deeply impressed by the question-and-answer conversation between Han Ming and his son in the car. What Han Yuchen asked was the public’s doubts about being brave and defending oneself. As a senior prosecutor, Han Ming didn’t know how to answer, and also pointed out that Article 20 didn’t play its due role.


Shang Bowen: What impressed me most was what Han Ming said: "Everyone does it this way". That’s what they do, right? As far as the law is concerned, although China has not implemented the case law system in the Anglo-American legal system, it is conceivable that the pressure brought about by overthrowing the previous judgment logic is unbearable for individuals: as Han Ming told Lu Lingling in the film, more than a dozen cases were judged in this way. Why do you make different judgments? Breaking the "rules", the previous judgments and public opinion are like a mountain, which is pressed on the host prosecutor and the procuratorial system; Draw a gourd ladle, everyone can regard it as nothing happened, and no one will criticize a person who follows the rules.


The most touching plot of the film is the performance of the three children when three cases come together: Juanjuan’s helplessness when her mother jumped to protect herself, Yaya’s remorse when her father was in a car accident, and her son Han Yuchen’s torture of what is "justice". Others can regard it as nothing happened, but Han Ming himself can’t pass. The sense of responsibility for these innocent and kind souls is the driving force for Han Ming to make "I don’t want to do it all".



1905 Movie Network: The film mainly focuses on the definition of self-defense and the crime of story injury, and tells two cases: Wang Yongqiang’s assassination of Liu Wenjing and bus driver Zhang Gui’s birth. What do you think of the whole process of these two cases?


Zhou Zhaocheng: The case of Wang Yongqiang’s assassination of Liu Wenjing and the case of Zhang Gui, a bus driver, are adapted from the real events with milestone significance in the application of the concept of "justifiable defense". By developing these two cases, Article 20 shows us the twists and turns from intentional injury to justifiable defense, and makes more people feel the judicial temperature under the cold law. At the same time, it also reflects many practical obstacles from legislation to application, and it is still very difficult to define whether the defense behavior is justified or not.


Wang Wentian: The process of examination and prosecution of Wang Yongqiang’s case is painful, which tests the patience and courage of the case handlers. In practice, the prosecutor’s idea of examination and prosecution is "realistic". If he doesn’t return to make up the investigation or the prosecutor doesn’t take the initiative to look for evidence, then this case will definitely have a different result. It also confirms the line in the movie, "It’s not just a case, but someone else’s life". Because it involves other people’s lives, the case handlers of procuratorial organs and public security organs (as well as defense lawyers) should take it seriously, think, take the initiative, and be brave, so that criminal suspects can feel fairness and justice.


Wen Yang: I think that Wang Yongqiang’s acquittal without prosecution is a happy ending, but the cost is huge. For example, judicial personnel have been under great pressure from public opinion and handling cases, and Wang Yongqiang’s wife Hao Xiuping also jumped from a building and was seriously injured. This can’t help but make people think: If Hao Xiuping didn’t jump off a building and was forced to sign an agreement in exchange for the result that a husband might not die, would there still be the result that Wang Yongqiang constituted self-defense and eventually acquitted himself? Further thinking, Hao Xiuping had no choice but to think that "my husband can only live when I am dead", and to draw people’s attention back to the examination of Liu Wenjing’s illegal infringement by jumping off a building in an extreme way is also to fight against the logic of "Liu Wenjing is dead, so Liu Wenjing is right" at the expense of his own life.


The film does not show much about the formation of Zhang Guisheng’s guilty verdict, but more shows that Zhang Guisheng was unwilling to die after being convicted, showing helplessness and bitterness. Personally, I think the director may want to show the audience a result with the ending of Zhang Gui and Zhang Guisheng — — Unfair judgment will not only make social order harmonious, but even intensify social contradictions and undermine social harmony and stability; It will also challenge the people’s simple concept of justice, arouse public doubts about legal fairness, and undermine citizens’ reasonable expectations.



1905 Movie Network: There is also an auxiliary line about campus bullying in the movie. What do you think of the legal issues involved?


Shang Bowen: In the case of campus bullying, the protagonist couple, especially Li Maojuan, did not distinguish between "substantive justice" and "procedural justice" at all. What is substantive justice? Ke Zhang’s bullying classmate and Han Yuchen’s "nose for nose" is substantive justice. But is it enough to only save the scene with the heroes of martial arts novels? The paranoid pursuit of substantive justice is likely to lead us to a different path. As Luo Xiang said: "The training of law will constantly remind us of procedural justice, be alert to substantive justice, and pursue justice in the process". There is no monitoring, no evidence, and even reluctance to do the work of bullied classmates and surrounding classmates to testify for Han Yuchen. It is undoubtedly a slap in the face to find Zhang’s "trouble" just because of his son’s guess about the hitter. The film has handled this well, and the ending of entering the detention center is both realistic and educational. From this point of view, apart from neglecting to discipline my son Ke Zhang, I find it difficult to criticize Director Zhang who has always maintained rationality and restraint.


Wang Wentian: The case of school bullying (the concept of campus bullying is the same as that of school bullying, but it is described as "school bullying" in the law) is often difficult to investigate clearly. Nowadays, every school has preventive measures and emergency plans for campus bullying, but in fact, some invisible violence is difficult to find out, especially in economically underdeveloped areas. In addition, according to the relevant provisions of the People’s Republic of China (PRC) Law on the Prevention of Juvenile Delinquency, "State organs, people’s organizations, social organizations, enterprises and institutions, residents’ committees, villagers’ committees, schools, families, etc. all have their own responsibilities and cooperate with each other to jointly prevent juvenile delinquency, promptly eliminate various negative factors that breed juvenile delinquency, and create a good social environment for the healthy development of minors." This article clearly stipulates that there are eight responsible subjects in preventing juvenile delinquency. The film only mentions the responsibility of the school. Even if the school is the leader of the investigation, it has a great responsibility to investigate the violence on campus, but in the process of investigation and handling, it needs the cooperation and assistance of many departments and subjects.


Shang Bowen: The system needs to play a leading role at the front end, whether it’s courageous acts, self-defense or campus bullying cases in the film. What is needed in this matter itself is a surge of adrenaline, which requires people to be in an "impulse" rather than a rational state. What the law can do is to let the general public who are willing to be heroes understand how to be brave and what to do when they are brave, how to protect themselves when they are brave, and add a little condensate of legal rationality to the hero’s "impulse".



1905 Movie Network: What are the realistic details of the restoration and presentation of judicial cases in Article 20?


Wen Yang: When showing the process of handling cases, we strive to be true from the investigation stage to the examination and prosecution, which reflects the rigor and complexity of judicial work, such as evidence collection, cross-examination and debate, sentencing consideration and other steps, which are all in line with reality, especially in the film. The prosecutor Han Ming took a number of judicial cases of similar cases and fell in front of Lu Lingling, but said helplessly, "It’s always like this everywhere. Why can’t this case?" This plot really fits a real situation in handling a case. Although China is not a case law country, due to the principle of "the same case and the same sentence", both judicial staff and lawyers attach great importance to the retrieval of similar cases in the process of handling cases, hoping to avoid the situation of different sentences in the same case by retrieving cases.


Shang Bowen: Some time ago, many people wanted to do a job of "not entering life", but the filming of the procuratorate’s work in the film was realistic at least in this respect. It is not a case, but the life of a living person. In order to detect cases, find key evidence and write judgment documents, the life and work of public security and legal personnel in the legal profession are closely intertwined.



1905 Movie Network: Is there anything in the film that can be further improved?


Wang Yahui: Generally speaking, it is practical, and every scene seems familiar to the legal person. However, the details of the connection of the case-handling process, such as the prosecutor verbally asking the public security to find evidence, are not realistic, and some legal knowledge points are not accurate, which may be limited by the length of time and worried that the professional knowledge is not easy for everyone to understand, so it has been simplified. The film has a very good idea. If we can increase the depth of case analysis on this subject, fully present the differences of views and details of handling cases in the work of prosecutors, and make a series, I think it should have better results.


Wen Yang: Although the film touches the core of some legal issues, it can further explore the collision between different legal viewpoints, such as identifying the boundary of self-defense and judging subjective intention, and show the difficulties and controversial points in judicial practice in more detail. Some scenes or discourses involving legal majors can be appropriately explained by more professional terms and legal theories, so that the audience can better understand the legal logic and judgment basis. There is also the plot that does not reflect the participation of lawyers. Wang Yongqiang has no defender in the film. In reality, even if Wang Yongqiang does not entrust a lawyer, there will be a legal aid lawyer. The participation of lawyers will make the film plot more collision.


Shang Bowen: Han Yuchen’s beating doesn’t have to meet the criminal filing standards before he can file a case. The punishment for public security management of mutual beatings and even group beatings can be directly filed. The verification of the case must highlight the specific scenes for the needs of the plot, which is understandable, but some of them are too far from reality. For example, when the protagonist group visited the village, they did not ask the witness directly, but asked the shop owner directly. In fact, many times in the film, Han Ming did the work of the public security organs.



Wang Yahui: In addition, I think that because the film is a prosecutor’s perspective, there are some negative portrayals of the roles of public security and lawyers. From the perspective of gathering themes, this depiction is superfluous.


Wang Wentian: I have different views on this. I don’t think this film belittles lawyers, because there are no lawyers involved in the three cases in the film, and they are not the key figures to be told in the film, so we can’t generalize them. First of all, there is no defense lawyer in Wang Yongqiang, and the lawyer in the movie stands outside the procuratorate and is the attorney of the victim. His "that sentence" is legal and reasonable. Although the occasion of his speech caused doubts, he did not express his feelings for the victim, nor did he provoke contradictions. His behavior conforms to the lawyer’s professional ethics and norms. Secondly, in Zhang Guisheng’s case, there was no mention of lawyers at all, but the behavior of prosecutors in the stage of examination and prosecution was emphasized. Thirdly, in the case of campus bullying, the lawyer in the film provided an opportunity for both parents to meet from the perspective of an outsider, and did not talk about right and wrong and put forward any legal advice, which did not violate the regulations. Finally, because there are few lines and scenes in the role of lawyer, it cannot be said that the lawyer in the film represents the criminal defense lawyer in reality. The film is not emphasizing the level of occupation at all, but popularizing the law. Why should it be complicated for such a simple purpose?



1905 Movie Network: What do you think is the significance of Article 20 in popularizing law in society? What can legal professionals learn from the role of prosecutor Han Ming?


Zhou Zhaocheng: This film is of great significance in popularizing the law to the society. It makes Article 20 of the Criminal Law go out of the law and into every citizen’s heart, and makes us believe that legislation is powerful and justice is warm. This film has great social significance. In the persistence of the role of prosecutor Han Ming, I see the enthusiasm of legal professionals and the belief in the law. "Let the people feel fair and just in every judicial case" is the expectation of the people and the responsibility of the judiciary.


YC: In Han Ming’s case, I think we should take the facts as the basis and the law as the criterion. Of course, we can’t describe the legal provisions in a mechanical way. More importantly, we need to handle or handle cases with some simple or ordinary values, because the law is not cold.


In the film, Han Ming, the prosecutor, does not stick to the rules, because the law is lagging behind. It is a good thing for judicial practice to follow the case or make changes or innovations in time. Although there may be difficulties or obstacles, I think there are actually many such people to practice or try in China’s legal system today.


Wang Yahui: After watching the film, people have a clear understanding of the behavior of self-defense. The film conveys the spirit of punishing evil and promoting good by law and safeguarding justice to the utmost, so that people know that Article 20 is a solid backing for justice and can boost the integrity of society. Legal professionals should learn from the spirit of Korean prosecutors who dare to take responsibility, and with the courage to take responsibility, they can shoulder the heavy responsibility of safeguarding fairness and justice.



Wen Yang: Aside from the professional problems seen by professionals watching this film, for those of us who are engaged in the legal profession, the shaping of the role of Han Ming is to remind every legal community that when handling every case, we should not forget our initial intentions, always keep a fair heart and have responsibilities and responsibilities. Of course, as a lawyer, I want to speak for the lawyers. Although the voice is small, it is at least vocal: there is no shortage of fair and just prosecutors and judges in this society. At the same time, there is no shortage of lawyers who rush to defend the legitimate rights and interests of the parties.


Shang Bowen: Those who are courageous are heroes, and those who promote justice and protect those who are courageous are even more heroes. Understanding of justice: No matter what kind of legal profession or legal field you are engaged in, justice will always be the ultimate value that legal people pursue forever. In addition to the prosecutors and judges in the film, the original intention of the professional setting of lawyers in reality is a sword to ensure the procedural justice of the parties.


Going against the current and pushing the legal system towards better reform, like Korean prosecutors, is a typical "collective action" problem in which individuals bear collective costs and will encounter great resistance and pressure. However, the right thing is often not easy to do, so we should take it as our responsibility!


An old friend who ＂listens to advice＂, the upgrade of Starway 2025′ s moon-taking is at the key point.

After further upgrading, the Star Way 2025 was officially launched on August 5, and the official guide price was 193,900-233,900 yuan. It is said that this is a flagship SUV model, and the upgrade made by Starway to this car has been taken to the key points.

In view of the shape of the front face, the 2025 Lanyue unified the shape of the air intake grille, adopted the same design of the international version, and added the blue body color of the sky. At the same time, the interior has also been upgraded simultaneously, providing light orange color matching, and a large number of Nappa leather materials are used. Although the changes are in small details, it also proves that the whole design is more in line with users’ preferences.

The upgrade of intelligent configuration is an obvious area for the 2025 Lunar Rover. It adds a high-level intelligent driving assistance system on the Star Road, providing optional high-speed overhead navigation (NOC) functions, and the experience will be significantly optimized. In addition, it is also equipped with HUAWEI HiCar 4.0 system and the hall-level 3D surround sound cockpit with LION MELODY 23 speakers, and the entertainment and technological experience have been upgraded to a certain extent.

Starway 2025′ s power to capture the moon has accumulated a good reputation among users. It is equipped with a 2.0T engine, with a maximum power of 192kW and a peak torque of 400 Nm, matching Aisin 8AT gearbox and the 6th generation intelligent four-wheel drive system of Borg Warner. Among the products at the same level, the whole set of power is still quite competitive.

Building high-end products by independent brands has indeed experienced many bumps along the way, and the star road has also encountered many difficulties. From the product point of view, the comprehensive strength of the Star Road 2025 Lunar Rover is still relatively strong. In terms of safety, power and control, it does show genuine materials, rich configuration and advanced interior materials, all of which have reached the value expectation.

Of course, it may take a long time for a high-end brand to be widely recognized by consumers. After all, brand image and word of mouth need to be accumulated bit by bit. Although many new car-making forces have successfully entered the high-end market through the advantages of novel intelligent technology in recent years, if they want to gain a firm foothold in the market, they still need a certain brand foundation to go longer.

The development of Xingtu Automobile has not adopted an overly radical model, and this high-end brand has always been the main focus. Until 2023, its overall cumulative sales reached 125,521 vehicles, a year-on-year increase of 134.9%. As for January-July 2024, the cumulative sales volume of Xingtu Automobile was 68,890 vehicles, up by 28.3% year-on-year, achieving year-on-year growth for seven consecutive months. Since the establishment of Xingtu brand five years ago, the achievements made in the market today are inseparable from this step-by-step development model.

In addition to focusing on the word "stability", Xingtu Automobile is constantly exploring new models. The birth of the Star Age, with new energy and intelligence as the development direction, has opened up a brand-new development route and created more possibilities for the development of Xingtu Automobile.

Cangzhou area eπ 008 special sale! The latest offer 188,600, discount waits for no one

[Autohome Cangzhou Discount Promotion Channel] Recently, a large promotion was ushered in in the Cangzhou market, with a maximum discount of 28,000 yuan. At present, the minimum starting price of this car series has been reduced to 188,600 yuan. If you are considering buying the eπ 008, you may wish to seize this opportunity and click the "Check Car Price" button in the quotation form to get a higher discount.

沧州地区eπ008特价出售！最新报价18.86万，优惠不等人

车系eπ008的外观设计采用了时尚且动感的风格，其前脸设计简洁大方，采用封闭式进气格栅，搭配锐利的LED大灯，呈现出强烈的科技感。车身线条流畅，侧面腰线贯穿前后，使整车看起来更加修长动感。整体而言，eπ008的外观设计既彰显了现代感，又不失稳重。

eπ008的车身尺寸为5002*1972*1732mm，轴距达到了3025mm。其车侧线条流畅而优雅，搭配了265/45 R21的轮胎规格，前后轮距均为1650mm，彰显出动感与稳定性。轮圈设计独特，增强了整车的视觉冲击力。

沧州地区eπ008特价出售！最新报价18.86万，优惠不等人

eπ008的内饰设计注重科技感与舒适性，中控台搭载一块15.6英寸的高清触控屏幕，集成了多媒体系统、导航、电话和空调等多种功能，并支持语音识别控制，为驾驶员提供便捷的操作体验。方向盘采用皮质材料，手感舒适，支持手动上下和前后调节。前排配备了两个USB接口和一个Type-C接口，后排则有三个Type-C接口，方便乘客充电。主副驾驶座椅均采用仿皮材质，支持多向调节，还具备加热、通风功能，驾驶位座椅更配置了头枕扬声器，为乘客带来舒适的乘坐体验。此外，前排和副驾驶位座椅均具备电动记忆功能，方便驾驶员和乘客轻松切换座椅设置。第二排座椅同样支持多向调节，腿部支撑可以灵活调整，满足不同乘客的需求。后排座椅可按比例放倒，增加后备厢的储物空间，进一步提升车辆的实用性。

沧州地区eπ008特价出售！最新报价18.86万，优惠不等人

eπ008搭载了一台1.5T L4发动机，最大功率为108kW，最大扭矩为210N·m。与之匹配的是一套电动车单速变速箱，为车辆提供了平稳且高效的驾驶体验。

汽车之家车主 表示，他们选择的向阳金颜色，接近银色，既时尚又耐看，而eπ008的外观设计更是大气十足。

Tribute to the amazing her. yang Jianhua： Thor, Blueprint, Sword Rain

"Tribute to the amazing her:

38 Chinese Women’s Stories of Fighting the Epidemic

Wonderful trial reading

In order to faithfully record the moving stories of the people of China, Hubei and Wuhan in their fight against the epidemic, and to show the glorious deeds of Chinese women during the fight against the COVID-19 epidemic, the Hubei Provincial Women’s Federation, the Hubei Provincial Writers Association, and the China Women’s Publishing House jointly planned and published the book "Tribute to the Great She – 38 Chinese Women’s Stories of Fighting the Epidemic".

Thirty-three female writers interviewed 38 women who had fought in the front lines of the epidemic in Hubei and Wuhan, using their unique perspectives and delicate writing to jointly record a story about life, faith, suffering, choice, dedication, and courage.

January 6, 2020, "World Design Capital" Wuhan City.

Located in Wuchang District, the "Top 100 Enterprises in the National Survey and Design Industry" and "100 Famous Academies of Contemporary Chinese Architectural Design" – Zhongnan Architectural Design Institute Joint Stock Company (referred to as Zhongnan Academy), gathered elites, held a cadre conference, and announced that the Hubei Provincial Party Committee appointed Yang Jianhua Deputy Secretary of the Party Committee and General Manager of the Central South Academy…

At the beginning of the Year of the Rat, what kind of extraordinary light will the Central South Courtyard, a famous sword in the architectural design world, wield in the hands of the newly appointed female general of the Yang family?

Yang Jianhua: First-class registered structural engineer, senior engineer of regular and higher vocational colleges, and senior economist. Deputy Secretary of the Party Committee and General Manager of Zhongnan Architectural Design Institute, Chief Commander of Anti-Epidemic Project Design of Zhongnan Architectural Design Institute and Leishenshan Hospital Project Design, was awarded honorary titles such as "National March 8th Red Banner Bearer in Fighting COVID-19 Epidemic" and "Wuhan Heroine in Fighting Epidemic". During the COVID-19 epidemic, she led the team of Zhongnan Architectural Design Institute to go on a retrograde expedition and go to war. She completed 38 anti-epidemic construction projects such as Leishenshan Hospital in one month, providing hard core support for epidemic prevention and control in Hubei Province and Wuhan City. The Party Committee of Zhongnan Architectural Design Institute won the honorary titles of "National Advanced Collective to Fight COVID-19 Epidemic" and "National Advanced Grassroots Party Organization".

01

At the end of 2019, it was destined to be extraordinary. The COVID-19 epidemic, the most serious infectious disease pandemic in the world in a hundred years, broke out on the 29th of the twelfth lunar month, and Wuhan closed the passage from Han. People first, life first! That afternoon, Wuhan decided to follow the model of Beijing Xiaotangshan Hospital during the fight against "SARS" in 2003 and build Huoshenshan Hospital, which was planned to be completed in ten days…

Yang Jianhua, who was in Jiangcheng, paid close attention to the news of the fight against the epidemic. As a designer who was born in the front line, an executive who had been in the field for less than a month, she knew very well that the architectural design of the Emergency Infectious Disease Hospital was a matter of life at stake, and it was the "top-level" design that truly put life first! In the middle of winter, the wind was urgent, and all kinds of news and news were overwhelming like cold rain, Yang Jianhua was overwhelmed but "deaf", because her heart was churning with the strongest voice: the epidemic broke out, Huoshenshan Hospital has started construction, and the colleagues who took over the design task should have a great responsibility and a glorious mission! The Central South Court that he just took over is one of the first six comprehensive architectural design institutes established in New China, and it is a state-owned enterprise that shoulders political responsibility, economic responsibility, and social responsibility. At this critical juncture, as a strength compound in Han, it should make a difference and take responsibility! The old party member who swore to the sickle and axe when he was in college was vaguely looking forward to it, and the sense of mission in his heart gradually burned until it was in full swing; the surface was still and deep, and his voice did not move.

The next day, on New Year’s Eve, when thousands of families were reunited. At 8:30 p.m., Yang Jianhua’s cell phone suddenly rang while watching the Spring Festival Gala. Her heart skipped a beat, and she quickly answered – it was from the Wuhan Urban Construction Bureau: within half a month, Wuhan will build another Leishenshan Hospital, and the design task will be handed over to the Zhongnan Hospital.

The charge horn sounded, the organization was calling, it was time for the Central South Court to go to the battlefield!!

Yang Jianhua immediately reported to Zhang Baiqing, vice chairperson of the Hubei Provincial Committee of the Chinese People’s Political Consultative Conference and chairperson of Zhongnan Design Group, Zhang Yun, party secretary and general manager of Zhongnan Design Group, and Li Ting, party secretary and chairperson of Zhongnan Hospital. Soon, she was appointed as the design chief of Leishenshan Hospital, and a design war against time "epidemic" started.

The female commander quickly arranged the troops. The project leader was Zhang Songmin, deputy chief architect of the Central South Hospital, and the lead unit was the company’s medical and health department. Zhang Ming, general manager of the department, served as the specific general coordinator of the project.

At 9 o’clock on New Year’s Eve, Yang Shuai, who was on the fast horse, issued a call for the design of Thunder God Mountain. All the experts and designers in Han who received the task immediately rushed to the front line. What kind of general, what kind of soldier! At that time, Yang Jianhua’s phone was almost exploded, and many designers who had not received the notice in the Central South Courtyard took the initiative to sign up: "As long as you can get on, let me help you drive!"… In this way, in less than an hour, regardless of personal safety or any conditions, the first batch of more than 20 elite teams covering all professional fields such as construction, structure, water supply and drainage, electrical, HVAC, and cost was established. At this time, the cold rain in Jiangcheng is like a knife, the novel coronavirus ghost with its teeth and claws is wandering outside the door, the famous sword is unsheathed, Yang Jianhua leads the team to overcome many difficulties such as traffic blockade, and rushed from the central city to the outer suburbs as soon as possible – the dark Huangjia Lake Thor Mountain scene, with the help of mobile phone lights for on-the-spot exploration…

Returning to the Wuchang office building from the project site, I was cold and hungry. On this special New Year’s Eve, the office building of the Central South Court did not turn on the heating, because of the Spring Festival holiday and traffic blockade, the building was empty, and the canteen was closed, unable to serve supper. At this moment, the warriors of the Central South Court were starving and cold, and only the battlefield was in their eyes! Just as they were shining the sword and Thunder God Mountain, the Robe Ze construction party who were in the same boat was also running desperately. At 6:30 on the first night of the new year, the first batch of 50 managers arrived at the scene, and more than 200 workers were in place. There were also a large number of bulldozers, excavators, dump trucks and other equipment. During the peak period, the number of on-site workers was expected to reach 2,000. It is difficult to build a house without wood in Luban, and it does not rain without clouds in the sky – design is the premise of construction. The drawings must come out early, so that the construction party can build according to the drawings at full capacity, build a hospital as soon as possible, and save people as soon as possible! On the New Year’s Eve, Yang Jianhua, who was on the scene, encouraged the team to work hard and come up with a design plan. They worked all night and fought hard for 12 hours. At 9 o’clock the next morning, a plan full of the wisdom of Zhongnan people was born! At 1:30 noon on the first day of the new year, Yang Jianhua reported to the municipal government with the freshly released draft of the plan. City leaders spoke highly of it: In such a short period of time, you have come up with a relatively comprehensive and good plan. The Central South Court is really a collective that can fight!

The follow-up work is difficult.

Life is heavier than Mount Tai, epidemic is the order. In 6 days, the total planned construction area of Leishenshan Hospital has increased 3 times, from 30,000 square meters to 80,000 square meters, and the number of beds has increased from 1,000 to 1,500. The planning layout and design scheme have been keeping up with the situation and responding to transient changes with rapid changes. This is the ultimate test of designers’ nerves, abilities and physical strength! In addition, the Spring Festival holiday is superimposed on traffic blockades, etc., resulting in difficulties in material supply and personnel scheduling. The Central South Hospital can only break through the design convention and build while designing – according to the materials that the construction party can purchase and the technology used, adjust the design at any time according to the place and time. This is dancing in "shackles"! " Yang Jianhua still maintained the elegance and calmness that were unique to women under great pressure, and was as energetic as ever. "Adhere to the bottom line of life safety, fire safety and structural safety, and everything is mainly construction!" She commanded the "high-end" team like an artist, and seamlessly connected the two lines between the office and the construction site to adjust and optimize the construction map design step by step.

Chou Zhengyan, the head of the Leishenshan project planning and the director of the third architecture department of the First Architecture Institute of the Central South Academy, said from the bottom of his heart: "I have been designing hospital buildings for ten years. The difficulty of the Leishenshan project is so great and the time is so tight. I really don’t know, but we must work hard to achieve it – because our CEO Yang believes that it must be realized, and it will definitely be realized! She is our backbone, the needle of Dinghai Shenzhen, and we trust her!" The commander’s banner pointed to the sound of war drums! Although the bus has been suspended and there is no car at home, this small "post-80s" female pioneer and main designer rides a shared bicycle to and from get off work every day; as soon as she enters the office, she is busy fighting, and she is very tired. She holds a paintbrush and lies next to the computer on the desk for a while.

****

This article is selected from "Tribute to the Great She: Stories of 38 Chinese Women Fighting the Epidemic".

Hubei Women’s Federation, ed

ISBN 978-7-5127-1965-1

Original title: "Tribute to the Amazing Her" – Yang Jianhua: Thor, Blueprint, and Sword Rain

Read the original text

Di Lizheba： Revealing the story behind the self-introduction of the freshmen in the play

[Time]: August 22, 2024 [Location]: Shanghai Academy of Drama [Character]: Di Lizheba [Event]: Di Lizheba’s early stage drama freshman self-introduction [Background]: Di Lizheba, a Chinese mainland film and television actress, is loved by audiences for her unique exotic style and excellent acting skills. This time, we will uncover the mystery of her early self-introduction as a freshman of Shanghai Academy of Drama.

[Purpose and Intention]: This article aims to review the starting point of Di Lizheba’s acting career, and to show the growth process of this popular actress by recreating the self-introduction of her freshmen at the Shanghai Theater Academy, providing readers with an opportunity to gain a deeper understanding of Di Lizheba and arousing public attention to art education.

[Key information]:

  1. Di Lizheba’s performance in the self-introduction of the freshmen in the play
  2. The environment, atmosphere and the reaction of classmates at that time
  3. Self-introduction content and reflected personal characteristics
  4. The impact on his subsequent acting career

[Text]:

Prologue: The First Starlight

Back in time, the campus of the Shanghai Theater Academy was filled with the breath of youth, and the freshmen with dreams stepped onto the stairs leading to the palace of art. Among them, a girl named Di Lizheba, with the unique exotic atmosphere of Xinjiang, stepped into this institution that gave birth to many performing arts talents. Her arrival was like a bright new star, quietly rising in the night sky of the theater.

Chapter 1: Self-declaration on stage

The first lesson for freshmen was that unique self-introduction. When Di Lizheba stepped onto the podium, she looked nervous and excited under the spotlight. Her eyes shone with determination, and the corners of her mouth outlined a confident smile. Facing hundreds of pairs of expectant eyes in the audience, she began a crucial self-explanation in her life.

"Hello everyone, I’m Dilizheba Dilimurati from Urumqi, Xinjiang."

The short but powerful opening remarks instantly attracted the attention of the audience. She recounted her growing experience, from the vastness of the grassland to the prosperity of the city, from the love of folk dance to the persistent pursuit of performing arts. Her words were full of love for life and longing for the future. That sincerity and enthusiasm blew through the hearts of everyone present like a breeze.

Chapter 2: Unique Charm, Emerging

In the process of self-introduction, Di Lizheba showed a unique personal characteristic. She not only has a natural beauty, but also exudes a temperament from the inside out. Her voice is like a flowing stream, clear and beautiful; her demeanor is elegant and generous, as if she has a stage halo. When she talks about her understanding of the performing arts, the enthusiasm for deep digging of characters and the professional attitude of delicate interpretation of the script made the teachers and students present all admire.

"I want to be an actor who can move people’s hearts, tell stories with characters, and convey emotions with performances."

This is her vow in her self-introduction, and it is also a true portrayal of her acting career. At that moment, Di Lizheba was no longer the young freshman, but the shining star of tomorrow on the stage.

Chapter 3: Far-reaching Impact, Laying the Foundation

This self-introduction undoubtedly laid a solid foundation for Di Lizheba’s acting career. It not only showcased her talent and potential, but also won the recognition of her teachers and the admiration of her classmates. Since then, she has received more attention and support in her study and life in acting, as well as more opportunities for practical exercise.

Many years later, when we look back at Di Lizheba’s road to fame, it is not difficult to find that it was this freshman self-introduction that opened the door to her brilliant acting career. It was like a stepping stone, knocking on the door of the art hall, allowing her to step towards a bright star in the years to come.

Epilogue: Star-studded, the future is promising

Today’s Di Lizheba has long been a household name in film and television, but the moment she introduced herself as a freshman at the Shanghai Theater Academy is still as vivid as yesterday. It was the mark of her original intention, the place where her dream set sail, and the precious moment when we witnessed her go from ordinary to extraordinary.

Let’s look back at that history, walk into Di Lizheba’s inner world, feel the love and dedication to art, and appreciate the unique charm. Perhaps this is the secret of her being unique in the entertainment industry and loved by the majority of audiences.

[Conclusion]: Di Lizheba’s self-introduction is not only an important node in her personal acting career, but also an inspiration for all young people who have dreams and the courage to pursue them. It tells us that as long as there is a dream in our hearts and a path under our feet, everyone can shine on their own stage.

Responsible editor:

近期文章

近期评论

您尚未收到任何评论。

归档

分类

标签

2021上海油压店推荐 2021苏州新茶论坛 上海419 后花园 上海mm自荐 上海后花园千花网 上海后花园最新 上海后花园私人会所 上海品茶推荐 上海外卖私人工作室 上海外围工作室 上海夜生活论坛 上海夜网 上海娱乐 上海娱乐地图 上海私人后花园 上海耍耍网 上海茶馆 上海荤场子 上海贵族宝贝论坛 上海龙凤阿拉后花园 乐上海 2021魔都新茶论坛 佛山桑拿蒲友网 南京夜生活娱乐 南京新茶外卖论坛 南京高端私人微信群 夜上海 广州约茶 广州葵花蒲典 广州蒲友论坛 新上海龙凤 杭州品茶网 杭州妃子阁最新 杭州新茶论坛 杭州桑拿网 杭州楼凤 杭州西湖妃子阁 苏州水磨店推荐 苏州男士spa哪家好 西安品茶网 西安夜生活网 西安桑拿论坛 西安高端海选 阿拉 后花园 上海 阿拉 后花园 龙凤 香草419论坛

Proudly powered by WordPress | Theme: Appointment Red by Webriti