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Online celebrity anchor became a live broadcast platform to compete for the object, causing liquidated damages and other issues

  The live broadcast platform and online celebrity anchor have been interdependent communities of interests since their appearance. With the increase of the number of live broadcast platforms and the escalation of competition, the conflict of interests between the two parties has intensified.

  Online celebrity anchor is favored by live broadcast platforms because of its huge fan base and high-quality content, and it is also the main target of poaching between platforms. In recent years, some well-known anchors have jumped ship from time to time. In addition to fighting with their platforms, some anchors have even been brought to court.

  Recently, a dispute caused by anchor job-hopping has aroused social concern.

  Jia is the contracted anchor of a live broadcast platform. In April 2017, during the contract period with the original live broadcast platform, Jia went to another live broadcast platform for live broadcast activities. Therefore, the original live broadcast platform sued Jia to the court.

  Recently, the Shanghai No.1 Intermediate People’s Court made a final judgment on this case, upheld the first-instance judgment of the Shanghai Pudong New Area People’s Court, and ordered Jia to stop violating the agreement with the original platform, continue to perform the obligation of inaction in the agreement with the original platform, and immediately stop providing live broadcast services or similar live broadcast activities for the new platform and any third party. Jia should compensate the original platform for liquidated damages within ten days from the date of the effective judgment.

  In recent years, there have been many cases of similar lawsuits between anchors and platforms. The reporter combed similar cases and found that how to identify the relationship between the anchor and the platform, how to determine the amount of compensation, and how to find a balance between the anchor’s freedom of employment and the demands of the old club to continue to perform the contract have always been the focus of controversy.

  How to identify the relationship between platform and anchor?

  The reporter found out that the relationship between the anchor and the platform can be roughly divided into three types:

  First, the anchor signed a sharing agreement with the live broadcast platform, that is, the anchor has the right to live broadcast, can perform live performances on the platform, and get certain gifts and rewards. At the same time, the anchor is not subject to the management constraints such as labor time and total labor stipulated by the live broadcast platform, nor does it engage in other labor tasks arranged by the live broadcast platform.

  Second, the anchor becomes a contracted artist of the live broadcast platform, and is bound by a series of labor rules and regulations of the platform. While obtaining guaranteed economic income, it needs to undertake corresponding duties and tasks, including the assessment of multiple standards such as live broadcast duration, content quality, number of fans and live broadcast activity.

  Third, the anchor signed a sharing cooperation agreement with the live broadcast brokerage company or guild, and the brokerage company or guild built the anchor in an all-round way. At the same time, the brokerage company cooperated with various live broadcast platforms to cultivate the incubating anchor.

  Then, among these three relationships, which one constitutes a labor relationship?

  In this regard, Zheng Ning, deputy director of the Department of Law, Department of Law, Communication University of China, analyzed that it is necessary to satisfy two conditions, namely, economic and personal dependence, to determine that the live broadcast platform and the anchor constitute a labor relationship. Economic relationship means that the anchor provides labor and the live broadcast platform gives remuneration; Personal attachment means that the anchor’s working time, content and methods are constrained by the rules and regulations of the live broadcast platform or specific management behaviors. In line with the above two conditions, there is a labor relationship between the anchor and the live broadcast platform.

  "As far as the first and third cases are concerned, there is no personal attachment between the anchor and the live broadcast platform, and the anchor is independent. Therefore, these two situations do not constitute labor relations; As far as the second case is concerned, the anchor provides labor, the live broadcast platform pays remuneration, and at the same time, it is managed by the live broadcast platform and has personal dependence, so it constitutes a labor relationship. " Zheng Ning said.

  In the view of Wang Yanhui, a Shanghai lawyer, three conditions need to be considered to determine whether there is a labor relationship between the live broadcast platform and the anchor: First, whether the employer and the employee meet the subject qualifications stipulated by laws and regulations; Second, whether the various labor rules and regulations formulated by the employer according to law are applicable to the workers, and whether the workers are subject to the labor management of the employer and engaged in paid labor arranged by the employer; Third, whether the labor provided by the laborer is an integral part of the employer’s business. According to the above conditions, it can be judged whether there is a labor relationship between the platform and the anchor.

  "Therefore, in the above three situations, only the second one meets the conditions for forming labor relations." Wang Yanhui said.

  However, Wang Quanxing, a professor at the Law School of Shanghai University of Finance and Economics, believes: "The live broadcast activity of the network anchor on the live broadcast platform is an activity in which the platform and the anchor jointly provide video products or services to the audience, and it is also the digital labor and remote labor provided by the anchor to the platform in the virtual place arranged by the platform, which constitute the production factors of the platform’s business activities of providing video products or services to consumers; The anchor shall abide by the management rules of the platform when engaging in anchor activities in the virtual places arranged by the platform. At the same time, the relationship between the platform and the anchor is continuous with the anchor activity as the object. Therefore, although the relationship between the platform and the anchor is different from the labor relationship in the traditional format, that is, it does not have all the elements of labor relations, but it has some elements of labor relations, such as subordination and continuity. "

  Wang Quanxing said that as for the "cooperative relationship" agreed by the anchor and the platform, it is not a standardized legal concept, nor is it a famous contract concept. Any contractual relationship, including labor contracts, is cooperative. Therefore, the so-called "cooperative relationship" is not mutually exclusive with contracting relationship, entrustment relationship and labor relationship.

  "In the terms of the contract, the anchor and the platform do not belong to the labor relationship or employment relationship ‘ Know ’ , and can not be used as the sole basis for determining whether it is a labor relationship. If the anchor has the facts that meet the requirements of labor relations in the process of cooperation, and this fact is also the agreement of both parties, such as the fact that the anchor undertakes the obligation of non-competition, it is the element that constitutes subordination. Therefore, whether labor relations are determined or not should be judged whether there are facts that meet the requirements of labor relations. " Wang Quanxing said that there are certain reasons for determining the nature of the so-called "cooperative relationship" between the platform and the anchor.

  If it constitutes a labor relationship, workers can safeguard their rights and interests according to the labor law. Then, if it does not constitute a labor relationship, can the anchor effectively protect his rights and interests?

  In this regard, Zheng Ning said that in some cases, although the anchor and the live broadcast platform do not constitute a labor relationship, there is a contractual relationship between the anchor and the live broadcast platform, and the anchor can safeguard his legitimate rights and interests according to the provisions of the contract law. There is a contractual relationship between the anchor and the live broadcast platform. The contract follows the principles of equality, voluntariness and good faith. Both parties can determine the contents of the contract through consultation. When one party thinks that there is fraud, coercion, obviously unfair or major misunderstanding, it can request the court or arbitration institution to cancel or change the contract. The parties to a contract may also stipulate liquidated damages in the contract. When one party violates the contract, the other party may request the defaulting party to pay liquidated damages and other ways to assume responsibility.

  How to evaluate the liquidated damages for job-hopping

  Anchor is the core resource of live broadcast platform, and the competition between platforms will also affect the value of anchor. In the fierce competition between live broadcast platforms, the value of the anchor is constantly being raised, and even there is a false high situation. At the same time, some online celebrity anchors think that their popularity depends on their own abilities, but the platform thinks that they have invested in packaging, publicity, planning and even broadband resources. Therefore, when some online celebrity anchors change jobs, they are often asked by the live broadcast platform to pay high liquidated damages. In recent years, the amount of liquidated damages has been increasing. However, how to evaluate the liquidated damages?

  "On the legal level, the setting of liquidated damages has two main meanings: on the one hand, it is to protect the transaction, and it is a means of punishment for the defaulting party; On the other hand, it is also the most important function of liquidated damages, that is, to make up for losses, because one party’s breach of contract will often bring economic losses to the observant party, including actual losses and expected benefits. The determination of the amount of liquidated damages should be based on the actual loss of the observant party, and the observant party should prove its actual loss and expected benefit. If the breaching party thinks that the liquidated damages claimed by the other party are too high, then it has the right to ask the court to make adjustments, and the court will also make reasonable judgments according to the actual situation and the general situation in the industry. " Wang Yanhui said.

  In this regard, Zheng Ning’s point of view is: "As far as the assessment of liquidated damages is concerned, there are two situations: first, there is a labor relationship between the anchor and the live broadcast platform. According to the provisions of the Labor Contract Law, the platform provides training fees for the anchor, and the service period is agreed, and the anchor can be claimed to pay the training fees that have not been fulfilled. If the anchor terminates the contract in breach of contract, or violates the confidentiality obligations or non-competition restrictions agreed in the labor contract, causing losses to the employer, it shall be liable for compensation. "

  "Another situation is that there is a contractual relationship between the anchor and the network platform." Zheng Ning said that the contract law stipulates that the parties may agree that one party shall pay a certain amount of liquidated damages to the other party in case of breach of contract, and may also agree on the calculation method of the amount of damages arising from breach of contract. If the agreed liquidated damages are lower than the losses caused, the parties may request the people’s court or arbitration institution to increase them; If the agreed liquidated damages are excessively higher than the losses caused, the parties may request the people’s court or arbitration institution to reduce them appropriately. The Interpretation of the Supreme People’s Court on Several Issues Concerning the Application of People’s Republic of China (PRC) Contract Law (II) stipulates that the agreed amount of liquidated damages exceeds 30% of the loss, which can generally be regarded as "excessively higher than the loss caused". Therefore, in the contract, the anchor and the network platform can agree on the liquidated damages in advance, and when one party violates the agreement, the other party can claim to pay the liquidated damages.

  In Wang Quanxing’s view, in labor relations and labor law, the application of liquidated damages is subject to legal restrictions, and compensation has legal rules. In civil contracts, we should pay more attention to the principle of fault, the principle of fairness and the proof of damage facts for liquidated damages and compensation.

  Both sides should raise their legal awareness.

  Some people think that anchor job-hopping is an act that lacks the spirit of contract; Others believe that this is normal business competition. As anchors who want to jump ship, they want to get a job on a new live broadcast platform; As an old club, the anchor is generally required to continue to perform the contract and compensate for the losses. So, how to balance the different demands between the anchor and the live broadcast platform?

  In this regard, Wang Yanhui said that according to the provisions of the Contract Law, the observant party has the right to choose to terminate the contract and demand payment of liquidated damages, and also has the right to choose to ask the defaulting party to continue to perform the contract. However, the purpose of China’s civil law is not only to protect transactions, but also to protect the freedom of transactions as much as possible. If the anchor has reasonable reasons to prove that he can’t continue to perform the contract with his old club, then the law generally won’t "buy and sell" and ask him to continue to broadcast live on the original platform.

  In Zheng Ning’s view, in the case of labor relations, the labor law stipulates that workers have the freedom to work, and they can terminate the labor contract by notifying the employer in writing 30 days in advance. The employee may terminate the labor contract by notifying the employer three days in advance during the probation period. Therefore, the anchor has the right to terminate the labor contract in accordance with the provisions of the labor law. The employer can only demand compensation for the corresponding losses through terms such as non-competition, confidentiality obligations and training.

  "In the case of a contractual relationship, both parties shall exercise corresponding rights and perform corresponding obligations in accordance with the contents of the contract agreed in advance. The live broadcast platform may require the anchor to pay liquidated damages and compensate for the losses for the anchor’s breach of contract. However, the subject matter of the contract has personal attributes and is not suitable for enforcement. Therefore, after the anchor pays the liquidated damages, the anchor can broadcast on the new platform. " Zheng Ning said.

  In Wang Quanxing’s view, there is a legal basis for non-competition in labor relations. Because the restriction of non-competition is a restriction on the freedom of workers to choose a job, it is conditional for workers to undertake the restriction of non-competition, and it is based on the compensation given to workers by employers. As for whether the non-competition clause can be stipulated in the civil contract, there is no legal basis in China. There must be a legal basis for agreeing on non-competition. Even if it is allowed to agree on non-competition, the obligation to undertake non-competition should be conditional and have economic compensation as consideration. Otherwise, obviously unfair.

  "In reality, many live broadcast platforms are unwilling to form a labor relationship with the anchor on the one hand, and require non-competition restrictions on the anchor on the other hand, and their goals are conflicting. In fact, choosing the arrangement of labor relations may not be unfavorable to the live broadcast platform. " Wang Quanxing said.

  Then, once the anchor changes jobs, how should the anchor and the platform protect their rights and interests?

  "Improve legal awareness. When signing a contract, clarify the legal relationship between the two parties, that is, clarify whether it is a labor relationship or a contractual relationship, and then stipulate the rights, obligations and legal responsibilities of both parties in detail. The contract should clearly stipulate the remuneration standard, payment method, payment period, etc., and determine a reasonable amount of liquidated damages. If conditions permit, it is best to hire legal counsel or consult legal experts. " Zheng Ning said.

  "According to my understanding of this industry, many anchors are still young, their social experience is not rich, and their legal awareness is not strong. If you want to guarantee your own interests, the anchor must first sign a formal contract with the platform, and no matter what form of cooperation, it should be implemented in writing. " Wang Yanhui suggested that the rights and obligations of both parties should be clearly stipulated in the contract, and the anchor should be familiar with his obligations and the legal ways to safeguard his interests when his rights are violated. In addition, both the anchor and the live broadcast platform should keep their contracts and communication evidence in case of emergency. Live broadcast belongs to a new industry, which lacks corresponding laws and regulations to regulate. Only by improving the legal awareness can employees in this industry have better development.

  □ Our reporter Han Dandong

Buy millet SU7 purchase tax is free! What is the impact of the New Deal on new energy vehicles?

The small partners who are concerned about new energy vehicles must have learned a recent news: the Ministry of Industry and Information Technology issued a new announcement, announcing that a series of models will enjoy preferential policies for purchase tax reduction and exemption. In the model catalog, Xiaomi SU7,Seals and Zhijie S7, which are particularly popular recently, are listed!

On the one hand, these models have excellent performance, on the other hand, they will also bring real benefits to car owners in terms of purchase tax. So, how do you understand the impact of the New Deal on the new energy vehicle industry?

Source: Ministry of Industry and Information Technology.

Judging from the nature, the preferential policy of purchase tax reduction is an important policy issued by the state to encourage the development of new energy vehicles and promote green travel. By reducing the purchase tax, the economic pressure on consumers to buy cars will be reduced, thus further promoting the prosperity and development of the new energy vehicle market.

The introduction of the purchase tax reduction and exemption policy further highlights the state’s attention and support for the new energy automobile industry. With the increasing awareness of global environmental protection and the rapid development of new energy vehicle technology, new energy vehicles will occupy a dominant position in traffic travel in the future.

At the same time, according to the data of China Automobile Association, in March 2024, the production and sales of new energy vehicles were 863,000 and 883,000 respectively, up by 28.1% and 35.3% year-on-year and 86.0% and 85.1% quarter-on-quarter. This is mainly due to the resumption of business operations after the Spring Festival, the large number of new cars coming on the market, and the new round of price reduction promotion in the auto market, which was encouraged by policies such as trade-in and trade-in. In March, the sales of new energy vehicles achieved significant growth on schedule, continuing the rapid growth momentum year-on-year. This time, many models covered in the new purchase tax reduction and exemption policy are actually hot models in previous months, and the intention of the state to guide the further development of new energy vehicles is very obvious.

Source: China Automobile Association

The implementation of the purchase tax reduction and exemption policy has brought tangible benefits to consumers and injected new vitality into the entire new energy vehicle market. As the "heart" of new energy vehicles, under the constant stimulation of the demand for new energy vehicles, the power battery sector will also usher in a good opportunity, and it can be forward-looking at present.

I prefer the battery ETF(SH561910) as the related target, and this one.ETFTracking the CSI battery theme index, it mainly invests in high-quality enterprises in the battery industry chain, including battery manufacturers and material suppliers. If funds are limited or there is not much time to learn more about many enterprises in the industry chain, I think investing in ETF one-click layout is a better choice.

Source: Shan Yu Qiu

The first large-scale public art project in Changsha, METALOOP "Mixing", was grandly opened.

       Changsha IFS joins hands with Xingcheng to perceive the infinite cycle of art.

  On May 15th, 2022, the opening ceremony of METALOOP, Changsha’s first large-scale public art project, was successfully launched in Changsha IFS, further highlighting the city card of Changsha as the world’s new media art capital, and refreshing the public’s common understanding of media art once again.

  At the opening ceremony, Guo Runkui, deputy director of the Propaganda Department of Changsha Municipal Committee, secretary and director of the Party Committee of Changsha Municipal Bureau of Culture, Tourism, Radio, Film and Television, and representatives of eight joint units were invited to the scene to witness the launch of Changsha’s first large-scale public art project. On the day of the ceremony, the Art and Technology Summit Forum of "Society, Technology and Art in the Meta-Universe Era" was launched simultaneously. Dong Bingfeng, the artistic director and curator of METALOOP "Mixing" project, and six artists and scholars from the art, academic, science and technology industries all over the country conducted cross-border talks between contemporary art and public space.

  Dialogue with Urban Symbiosis | Changsha IFS explores new fields of art and technology

  On May 15th, METALOOP, Changsha’s first large-scale public art project, was successfully launched in Changsha IFS, under the guidance of Changsha Municipal Bureau of Culture, Tourism, Radio and Television, sponsored by Changsha IFS and planned by KUStudio, and jointly sponsored by four local museums and cultural organizations and four well-known enterprises and technology companies. Guo Runkui, deputy director of the Propaganda Department of Changsha Municipal Committee, secretary of the Party Committee and director of Changsha Municipal Bureau of Culture, Tourism, Radio, Film and Television, was invited to attend and delivered a speech, saying: "This 2022 Changsha Public Art Plan, through the most active and cutting-edge forms of art at present, discussed issues such as technological change and artistic practice in the era of the meta-universe, and promoted the city to implement the strategy of accelerating digital development and building a digital China, and the sustainable and all-round development of scientific and technological innovation. Show the world an international new aesthetic city image of culture, art and technology. Dong Bingfeng, artistic director and curator of METALOOP "Mixing" project, also sent congratulations on the online form and wished the ceremony a complete success. At the same time, Idy Tsang, Director of Promotion and Marketing Department of Changsha IFS, ying wang, Director of Service and Outreach of Changsha IFS Sub-tenant, and METALOOP "mixed".Project planner Peng Xinxin, co-founder and general manager of Xidi Zhijia Ma Wei, National Hybrid Rice Engineering Technology Research Center and Deputy Director of Hunan Hybrid Rice Research Center Office Rowling, Director of Changsha Museum Information Center Pu Yinghui, Deputy Director of Changsha Intangible Cultural Heritage Protection Center Zhu Peng, Deputy Director of Public Service Department of Longping Rice Museum Zhang Jingyi, Executive Director of Xie Zilong Image Art Museum Lu Ni, Zhang Xianming, vice president of Yuanda Technology Group and general manager of Yuanda Core Digital Technology Co., Ltd., Huang Liting, founder of P8 Planet, and Tang AirAsia, administrative assistant manager of Niygelo Hotel in Changsha, came to the scene to present their prospects and expectations for this art project.

  Dialogue Art Integration | Changsha IFS opens a new mode of commercial public space

  Changsha public art project METALOOP "mixing" is a dialogue between art and the city, but also between art and the public. In this art project, Changsha IFS invited 2 groups of well-known curators and 11 groups of domestic and international artists and groups to exhibit 3 groups of art projects, bringing art into commercial space and creating a multi-dimensional shopping experience for consumers. After the opening ceremony, the professional guided tour of the specially invited commentator on the spot further narrowed the distance between the public and art, and deeply felt the story and charm behind the works of art.

  West atrium of Changsha IFS LG2: Hu Jieming-the world’s first exhibition of large-scale public image installation "Image Palace"

  Hu Jieming is one of the pioneer artists of digital media and video devices in China. His artistic creation stops at the alternation of time, space-time, history and memory, which puts the public in an uncertain time and space in the past, thus arousing personal memory. Inspired by 5,000 images of Changsha’s real scenes, cityscape and daily life, the artist Hu Jieming created a large-scale public image installation "Image Palace", which is the world’s exclusive combination of virtual and reality. This is the largest image installation creation by Hu Jieming in the past five years. The new media sound and painting installation in the center of the palace was created by Edward Xu, which dynamically showed the temporal and spatial characteristics of Changsha’s ancient and modern changes, which is undoubtedly the best integration of local humanistic characteristics and modern high technology. During the tour, the public gradually discovered the familiar image of Changsha city, which triggered a heated discussion about the city memory.

  Outside the imaging device, an artificial intelligence driving experience game — The "Meta-Mine" intelligent cockpit has attracted great attention from the public and participated in the experience. Through the precise digital creation of "Image Palace", the game imitates the actual scene of Sidi’s intelligent driving in the mine to the greatest extent and cooperates with the automatic driving algorithm based on artificial intelligence technology. In these two cockpits, the public can travel through the image time and space through "driving games", control the self-driving mine card model to shuttle and mine in the virtual digital art installation, observe the Image Palace from different angles, and experience the local culture of the city.

  Changsha IFS Full Electronic Screen: SHIMMER- LED Big Screen International New Media Art Exhibition "Endless Dreams"

  Exhibition time: during the exhibition period
  10: 00/12: 00/14: 00/16: 00/18: 00/20: 00 for 20 minutes.

  The public video art exhibition "Endless Dreams" will be displayed in Changsha IFS Southwest Square, Northwest Square, Huangxing Road, L5 West Atrium and L7 Sculpture Garden by using the most forward-looking public LED electronic screen exhibition method. Disnovation.org (France), Joey Holder (UK), Saemundur Thor Helgason (Iceland), Kim Laughton (UK), nabbteeri (Finland), Lu Minglong (UK), Shi Ruini, Wang Jingxin and Xinyi Wang are nine groups of well-known domestic and international artists and groups. Presented in three story chapters: the dream of farmers, the dream of artists and the dream of drivers, the relationship among human beings, machines and sociality is re-conceived in a poetic way, which responds to the transformation towards the post-human era. At the tour site, the public took the lead in viewing three groups of works of art by Changsha IFS L5, and stopped to watch this new exhibition mode and expressed strong interest.

  Changsha IFS L7 Art Gallery: Lu Yang-Pioneer Artists’ New Works in Global Exhibition DOKU:HELLO WORLD

      Lu Yang, one of the artists participating in the theme exhibition of the 59th Venice Biennale in 2022, is also the winner of the 2022 "Artist of the Year" published by Deutsche Bank, and this time introduces his latest multimedia works.DOKU:HELLO WORLDDebut at Changsha IFS. Born for love and peace, DOKU is an inspiration creator who integrates multi-culture and spans art categories. Through guided tours, the public can see the integration of dynamic capture and 3D scanning technology, dance and music art in DOKU, and feel the infinite possibilities of artistic creation in the digital age together.

  Dialogue with "Metauniverse" Urban Forum | Changsha IFS opens a new prospect of digital art

On the afternoon of May 15th, the Art and Technology Summit Forum on "Society, Technology and Art in the Metauniverse Era" was held across the border. The forum was divided into two parts: round-table dialogue and cross-border dialogue, and was hosted by Dong Bingfeng, artistic director and curator of the METALOOP "Mixing" project of Changsha Public Art Plan. Keynote speech invited to Beijing? Hu Yong, Professor of School of Journalism and Communication, Nanjing? Lan Jiang, a professor of philosophy, and Huang Sunquan, a professor of China Academy of Fine Arts, gave a professional interpretation of "Society, Technology and Art in the Meta-Universe Era". The round-table dialogue invited Lu Ni, executive director of Xie Zilong Image Art Museum, Ma Wei, co-founder and general manager of Xidi Zhijia, and Hu Jieming, an exhibiting artist, to have a tripartite cross-border dialogue.

      Keynote speech: "This may be the first time in this century, and we may invent a brand-new aesthetics. That is to restart the imagination and invent new aesthetics. But to realize this expectation, someone must take the reins from the technical experts. "

      Keynote speech: "Things in the metauniverse are not passive, but can participate in the existence of the subject of the metauniverse to a certain extent. In this sense, the imitation law between people will inevitably expand to the imitation law between things."

       Keynote speech: "The metauniverse may not be very advanced in technology in the past decade, but it provides infinite imagination and possibilities. We should find ways to regenerate ourselves from our own life experiences and those gaps."

       Roundtable dialogue: "Art is personal and shared. Each of us is a small universe, and art fills the aesthetics of the public everywhere. "

      Roundtable dialogue: "Yuankuang is a sub-brand of Xidi Zhijia in the field of mine automatic driving. The goal is to build a mine operation mode with equipment intelligence and online remote cooperation similar to Metauniverse based on technologies such as automatic driving, artificial intelligence, Metauniverse and 5G."

         Roundtable dialogue: "Space is the place where we live. The spatial dimensions we face are multiple, and we can change space, expand space and create space. "

       At the Art and Technology Summit Forum of "Society, Technology and Art in the Meta-Universe Era", seven guests tried to explore the more possibilities of "we" for technological innovation, artistic innovation and space sharing from the concept of "Meta-Universe" in many fields such as society, science, art and public space.

  Dialogue with Underground Kilometers | Limiting the Courtesy of High-end Minerals and Perceiving the Beauty of "Treasures"

  Changsha IFS and Xidi Zhijia started cross-border cooperation to mine rich ores with the highest metal content in China, and customized exclusive ore certificates and digital certificates. Each ore has a unique corresponding number in the world, creating a limited number of high-end ore courtesy.

  Breaking, Awakening and Rebuilding | Building a Public Art Platform with Changsha as the Subject

  On November 1, 2017, UNESCO released the list of global "Creative City Networks" in Paris, and Changsha was selected as the "Media Art Capital" in the world, becoming the first China city to receive this honor. Changsha has thus entered an important stage of brand-new cultural industry innovation and development. In the future, Changsha will implement the 14th Five-Year Plan and the strategy of "Three Highs and Four Innovations", implement the plan of "accelerating digital development and building a digital China" and the strategy of scientific and technological innovation, sustainable and all-round development, deepen the image of "World Media and Art Capital", and show the world an international new aesthetic city with taste, style, connotation, temperament and value, and an international artistic and cultural innovation city.

      If the most important presentation space of traditional art is the museum, then today, with the rapid development of globalization, more and more urban public spaces and cultural and commercial complexes are actively promoting and constructing "art — The benign interaction of public relations and an open network of future thought experiments. Undoubtedly, Changsha IFS initiated the "2022 Changsha Public Art Plan METALOOP‘ Mix ’ " For Changsha and its surrounding areas, an important case of promoting the development and renewal of urban culture with artistic creativity is being established.

  More activity information

  About 2022 Changsha Public Art Plan METALOOP "Mixing"

  -Changsha IFS

  Exhibition: Image Palace

  DOKU:HELLO WORLD

  Unremitting dreams

  Time: from now until June 30th, 2022.

  Opening hours: 10: 00 & ndash; ten o’clock pm

  Address: No.188 Jiefang West Road, Furong District, Changsha, Hunan.

  -Niygro Hotel Changsha

  Exhibition: "Modern Lighthouse" Shenglong City Image Exhibition

  Time: from now until June 20th, 2022.

  Opening hours: open all day.

  Exhibition: Cloud Painting Appreciation? Dream in a Dream "Fang Shibiao Sky Suite Art Space"

  Time: from April 22nd, 2022.

  Opening hours: 10: 00 & ndash; six o’clock pm

  Address: Changsha IFS T1, No.188 Jiefang West Road, Furong District, Changsha, Hunan Province

  - Yuanda Xinjian digital technology

  Exhibition: 70 Island /70 DAO

  Time: permanent exhibition throughout the year (the exhibition content is updated regularly)

  Opening hours: 08: 00 every Monday to Friday & ndash; six o’clock pm

  Address: Yuanda City, No.3 Yuanda Road, Changsha County, Changsha, Hunan Province

  - changsha museum

  Exhibition: "Xiang Jiang Bei Qu — Changsha Ancient History and Culture Exhibition "

  Time: permanent exhibition throughout the year

  Opening hours: 09: 00 every Tuesday to Sunday & ndash; five o’clock pm

  Address: Southwest of the intersection of Xiangjiang North Road and Qifeng Road, Kaifu District, Changsha, Hunan (Changsha Binjiang Cultural Park)

  - Changsha intangible cultural heritage museum

  Exhibition: Xiang SHOW— Xiangxiu Life Aesthetics Exhibition "

  Time: from now until June 20th, 2022.

  Opening hours: every Tuesday to Sunday at 09: 30 & ndash; five o’clock pm

  Address: Juzizhou Scenic Management Zone, Yuelu District, Changsha City, Hunan Province (formerly Juzhou Inn)

  -Sidi Zhijia

  Exhibition: "Hideki Driving Exhibition"

  Time: permanent exhibition throughout the year

  Opening hours: every Monday to Friday from 10: 00 to 18: 00.

  Address: A3-A4, Hunan Inspection and Testing Characteristic Industrial Park, No.336 Xueshi Road, Yuelu District, Changsha, Hunan.

  - Longping rice museum

  Exhibition: Permanent Exhibition of Rice Culture 2022

  Time: permanent exhibition throughout the year

  Opening hours: 09: 00 & ndash; five o’clock pm

  Address: Renmin East Road, Furong District, Changsha, Hunan

  - P8 planet

  Exhibition: Soft Space-A Unit Exhibition of the Curator Plan Phase I

  Time: June 4-July 31, 2022

  Opening hours: every Thursday to Sunday at 10: 00 & ndash; six o’clock pm

  Address: P8 Planet, Yuanda City, No.1 Yuanda Third Road, Changsha County, Changsha City, Hunan Province

    About Changsha IFS interactive experience

    -The Founding Fathers of the Arts Light up the Medal for Redemption.

  Time: April 30-June 30, 2022

  Combine the function of Changsha IFS small program medal, start the Art Founders program, and there are many surprises and gifts waiting for you to discover.

  Top wave player medal — Scan the code in the LG2 "Meta-Mine" intelligent cockpit and participate in the "driving game" to light it up;

  Frontier Art Coffee Medal — Scan the QR code of the Live Art Founders Project in L7 Art Gallery to light it up.

  Art Pioneer Medal — Use indoor mixed real-life navigation iGO to find treasure in the interactive screen of LG2 "Image Palace", L7 Art Gallery and L7 Sculpture Garden.

What is "Jiangnan"

Author: Hu Yifeng

At the opening ceremony of the 19th Asian Games in Hangzhou, the "osmanthus drum", qiantang bore, green water and green mountains, elegant national style, poetry and painting of Jiangnan and the humanistic Asian Games complement each other, which vividly shows the freshness, agility, massiness and elegance contained in the cultural image of "Jiangnan". Looking back at the literary and artistic works that have been popular in recent years, such as the dance drama "Never Gone Radio Wave" and "Only Green", and the Spring Festival Evening program "Memorizing Jiangnan" and "Jibu Bridge", many of them have their own "Jiangnan style". So, what is "Jiangnan"? How is the "Jiangnan Faner" tempered?

In the Song Dynasty, Liu Yong’s "Looking at the Tide of the Sea" begins with the saying that "the southeast is victorious, the three Wu cities are prosperous since ancient times", and the "three Wu" and "Qiantang" here are important geographical symbols and pronouns of Jiangnan. The description in the poem, "Sanqiu Guizi, Shili Lotus", "Qiang Guan Qing, Ling Ge Pan Night" has been passed down through the ages, which can be described as exquisite. But it is somewhat exaggerated to say that this place has been prosperous since ancient times. Even if we put aside the corner of Hangzhou, from the perspective of the broad "Jiangnan", this "land of beauty" repeatedly chanted by poets has gone through a long evolution process before it has completed its own cultural shaping.

Photo of Wu Guanzhong in Suzhou Water Street

"Jiangnan" literally means south of the Yangtze River, but its meaning has changed in different contexts. Jiangnan, which is commonly known today, is also known as Jiangdong or Jiangzuo in history. "Jiangdong", which is "thinking about Xiang Yu so far and refusing to cross Jiangdong", generally includes "Jiangnan" in people’s minds today. The TV series "nirvana in fire" is set in the Southern Liang Dynasty in the south of the Yangtze River, and Mei Changsu’s nickname is "Jiang Zuo Mei Lang". There was a "Jiangnan Road" in the Tang Dynasty, covering a vast area, including most areas south of the Yangtze River. Since then, "Jiangnan", as the concept of administrative division, has changed with the changes of dynasties, and gradually withdrew from the historical stage until the Qing Dynasty. As a geographical concept, "Jiangnan" is gradually fixed as Suzhou, Songjiang, Changzhou, Hangzhou, Jiaxing and Huzhou in Taihu Lake Basin. It is also in the historical evolution of cultural exchanges and accumulation that culture has outperformed the frequent changes of administrative divisions with its unique charm, and fixed the poetic Jiangnan in the history of Chinese civilization.

In fact, in the eyes of people in the Central Plains in the pre-Qin period, Jiangnan was a barbarian land with tattooed hair, and its man Shang Yong was aggressive, which was quite different from the "Jiangnan Fan" that people are familiar with today. From the Qin Dynasty to the early Han Dynasty, most areas in the south of the Yangtze River were still in the primitive agricultural era of "plowing with fire and water". Although "there are no people who are frozen and hungry, and there is no family with a daughter", and because "the south of the Yangtze River is wet and her husband dies young", the image of this land in people’s minds at that time is not lovely. When Jia Yi was demoted as a teacher of Changsha King in the Western Han Dynasty, he was worried about life in the south, fearing that he would not live long. However, it didn’t take long for the situation to change quietly. After the Han dynasty, the global temperature dropped, and the climate in the south of the Yangtze River became suitable for farming and living, which ushered in a godsend opportunity to change one’s life and rebuild oneself. If land reclamation and economic development have laid a material foundation for the prosperity of Jiangnan, then profound and extensive cultural exchanges have continuously injected vitality into the formation of "Jiangnan Faner".

Historically, during the Qin and Han Dynasties, the Han Dynasty, and the period from the end of the Eastern Han Dynasty to the Three Kingdoms, especially after the Yongjia Rebellion in the Western Jin Dynasty, the Anshi Rebellion in the Tang Dynasty, and the Jingkang Rebellion in the Northern Song Dynasty, the cultural spread and integration with the large-scale migration of population as the carrier conformed to the general trend of natural environment changes, refreshing the face of Jiangnan again and again, and prompting "Jiangnan" to enter its own cultural time.

Historian Qian Mu thinks: "When the Eastern Jin Dynasty crossed to the south, the Yangtze River basin formally represented the traditional China". After Yongjia, a large number of aristocratic families from the Central Plains took refuge in the south. Most of them had high cultural attainments. The elegant aristocratic culture injected poetic connotation into Jiangnan at that time, which effectively promoted the transformation from "wuyue Wind" to "Jiangnan Culture". "Sui Shu" wrote about the cultural situation in the Southern and Northern Dynasties, saying: "Clothes and objects, pictures and notes, and broadcasting and moving, all belong to Jiangzuo. On the occasion of the Jin and Song Dynasties, there were many studies, and between Qi and Liang, the history was rich. " During this period, many important cultural achievements came from northern immigrants or their descendants. Fan Zhen’s Theory of Deity Extinction, Zhong Rong’s Poems, Zhou Xingsi’s Thousand-Character Works and Liu Xie’s Wen Xin Diao Long are all examples. In the Tang Dynasty, the wealth and prosperity of Taihu Lake basin became more and more obvious. "It was endowed with the world and Jiangnan lived in the 19th … Zhejiang and Zhejiang lived in the 19th, while Susong Changjiahu was based on the 19th of Zhejiang." After the Anshi Rebellion, "most of the gentry crossed the river east with their families", in the words of the poet Li Bai, "all the well-dressed men in the world avoided Soochow, and Yongjia moved south, but they were not satisfied here". According to some scholars’ statistics, from the perspective of the number of poets in the whole Tang Dynasty, the north far surpassed the south, but after the Anshi Rebellion, the number of poets in the south increased substantially, which was comparable to that in the north.

People’s West Lake Feng Zikai information picture

With the change of Jingkang, the Song Dynasty moved southward, and Jiangnan made further efforts on the road of cultural development. As Jin Fu said in Qing Dynasty, Jiangnan was just a country before Han and Tang Dynasties. Since Qian Liu stole it, the Southern Song Dynasty was peaceful, and the people gathered together to make a land monarch, so it became a fortune. According to research, this great population migration began in 1126 (the first year of Jingkang) and lasted until 1279, with a total population of 5 million, which greatly exceeded the population in the south. Long-lasting immigrants spread throughout the Yangtze River basin and even today’s Hainan Island, and the largest distribution of immigrants is in Jiangnan, where the political center of the Southern Song Dynasty is located. On the one hand, "most of the scholars in the northwest are in Qiantang", where many scholars and great scholars gather, and scholars such as Li Qingzhao and Xin Qiji stay, which greatly promotes the development of culture and scholarship; On the other hand, the gathering of a large number of professional artists has promoted the prosperity of citizens’ culture. According to The Old Story of Wulin, there were more than 20 places of entertainment "Wazi" inside and outside Hang Cheng in the Southern Song Dynasty, and the audience reached more than a thousand people for a long time. There are more than 50 cultural performances and more than 500 artists. They either tell historical stories and folk legends, or perform acrobatic circus or acrobatic shadow play.

When the stars move, the text will follow. When history marched into the Ming and Qing Dynasties, Jiangnan culture was presented to the world in a mature and gorgeous manner. In the Ming and Qing dynasties, on average, more than one out of every seven scholars came from Jiangnan. A quarter of the top scholars in the Ming Dynasty came from Jiangnan. Jiangnan accounted for more than half of the top scholars in Qing Dynasty, so that Wang Wan, a scholar in Suzhou, called the top scholar a local "native product". The pride in the imperial examination field reflects the overall improvement of Jiangnan cultural strength. As the cultural symbols of this period, most of the famous works such as Dream of Red Mansions, Sanyan Erpai and Peony Pavilion are imprinted with Jiangnan, and it is these cultural classics that directly shape the image of Jiangnan that has been passed down to this day.

It can be seen that "Jiangnan Faner" is a product of history. As the saying goes, "the southeast is endowed with wealth, and the literati in the left of the river are lost". The description of the scenery in the south of the Yangtze River and the interpretation of the cultural spirit in the south of the Yangtze River are the key points to promote this historical process. As mentioned above, "Jiangnan" generally corresponds to Taihu Lake Basin geographically, and its most moving, popular and refined expression is "there is heaven above and Suzhou and Hangzhou below". If you compare "Jiangnan Faner" to a gorgeous costume, Suzhou and Hangzhou are undoubtedly the most competent models. The fame of Suzhou and Hangzhou has spread hand in hand, and it is inseparable from the literati’s wonderful pen. According to Chai Degeng’s research, Suzhou and Hangzhou even started from Bai Juyi, and Suzhou and Hangzhou were mentioned five times in his poems, such as "Suzhou and Hangzhou were once famous counties", "Suzhou and Hangzhou are famous counties in the south of the Yangtze River" and "I am 57 years old, and I am honored" in Three Songs of My Year. Party A and Party B have three subjects, and Suzhou and Hangzhou are the owners. I am even more proud that I have worked in Suzhou and Hangzhou.

Among Bai Juyi’s many poems about Jiangnan, Recalling Jiangnan is the most popular, which vividly expresses his attachment to Jiangnan. When we read this famous article, we will find that "water" is one of the most important contents in Jiangnan images. Geographically, "the terrain leans to the southeast, and Wu Zhi is in the lowest position in the southeast, so it is advisable to have more water". In this water town, Zeguo, the ancestors explored a complete water conservancy system, "to drain it in case of prostitution, and to irrigate it in dry years." From Xie Lingyun’s Poems on Mountain Living and Zhang Yuan’s Poems on Southern Expedition in the Southern Dynasties to Su Shi’s Poems and Songs on the South of the Yangtze River, to Zhu Ziqing’s Poems and Songs on Qinhuai River and Feng Zikai’s Poems and Songs on the South of the Yangtze River in modern times, the appearance rate of "water" is probably the highest.

There are many boats when there is more water. Water and boats constitute the unique geographical environment and lifestyle of Jiangnan, and also shape the aesthetic background of Jiangnan style. The Night Sailing Boat by Zhang Dai in Ming Dynasty is a online celebrity book with a score of 9 on a reading website, and its creativity comes from the unique landscape of "Night Sailing Boat" prevailing in the south of the Yangtze River. In water towns, boats are used in all aspects of life. There are "book boats" for buying books, "account boats" for collecting rent, "doctor boats" for visiting doctors, "wedding boats" for marrying brides, and "incense boats" for serving pilgrims. Jiangnan people, "not only husbands can operate boats, but also women can." There are also groups who make a living on the boat, just as the fishing song in Yangcheng Lake sings, "A net boat is the world, and the reed is used as a tile cabin as a bed." The bow of the boat cooks food, and the clothes are hung in the boat. " The ship in the south of the Yangtze River has a meaning beyond daily necessities and directly involved in cultural production and consumption. Chongzhen’s "Songjiang Prefecture Records" records that "at the beginning, there were sailing boats, mountain boats, seat boats and long-distance boats, but now they are wave boats, floor boats, Zhu Lan, Cuimu, Jingru and Jinglu", which shows that the boats are diverse and rich. Li E, a Qing Dynasty writer, wrote the Book of Lake Boats specially for the cruise ships in Hangzhou West Lake, which recorded nearly 100 kinds of cruise ships. In the Qing Dynasty, Suzhou, Jinling and other places also provided catering services for cruise ships, which were called "traveling boats" and "fire eating boats". Ships are not only used to swim the lake, but also used as a "stage". In this regard, there is a vivid record in the notes of the Qing Dynasty, "Su Jun feasted on the gods of the New Year, and every time he played on the bow of the Huqiu Mountain Pond. There is a theater in the boat, and dishes are prepared at the stern. The audience also called Sha Fei, Niu Tongue and other ships to be alongside them. ""Every year, we race the city and drive the railing barge in partnership.Traveling between Shanbang and Yefangbang, hoping to sell their skills. Every time you arrive at a boat, you must put on your robe and hat, hand in your eyes, and bow in the front cabin. Moving out, the value of the cable ranges from one to two hundred. " Even Martino Martini, a missionary who came to Hangzhou in the late Ming and early Qing Dynasties, said, "It’s true that rowing on the lake is more comfortable and pleasant than anything else in the world.". In modern times, all kinds of ships active in water towns are still an indispensable part of Jiangnan style. In Lu Xun’s "Social Drama", he watched the play on the bow and cooked the arhat beans on the boat, which is the case. When Feng Zikai lived in Tongxiang’s hometown, he often put books, clothes and other things into the "painting boat". Wherever he shook it "by night", he went ashore to sketch and paint, and the interesting works such as "The Barber Shop in the Wild" and "Three Empresses" were born in this way.

Culture in the south of the Yangtze River is picturesque, full of melodies, intoxicating and profound, which is dizzying and unforgettable. For thousands of years, Jiangnan Faner, which has been refined in the frequent interaction between nature and humanity, history and humanity, fortune and human feelings, has been active in the literary world with its unique charm, condensed in local customs and folk customs, and engraved into people’s lives and memories.

Guangming Daily (16th edition, October 20th, 2023)

Source: Guangming Net-Guangming Daily

Song Kai visited Qatar, and the China Football Association restarted "football diplomacy"

Reporter Jin Cuo reports On October 31st, local time, Song Kai, the new president of China Football Association, appeared at the AFC Annual Awards Ceremony, which was his first visit since he took office. Song Kai’s move hoped to restart China’s football diplomacy and open up the situation.

In January this year, Du Zhaocai, then vice-chairman and secretary of the Party Committee of the Football Association, was elected as a director of FIFA, with 18 votes at the bottom, and was unable to be re-elected. Due to the special regulations of the AFC (only one election was allowed), China Football was "aphasia" in the executive committee of the highest institution of the AFC for the first time.

Subsequently, the chairmen and vice-chairmen of the 16 committees under the AFC were adjusted, and no one in the China Football Association was elected.

However, according to the current "status" of China football, whether it is elected as a director or not has little influence, because even when Zhang Jian and Du Zhaocai were directors, it didn’t bring much help to China football. Even when Du Zhaocai was the chairman of the arbitration committee, China football didn’t even benefit from it, and even suffered a lot when facing the West Asian teams.

In fact, after Zhang Jilong, China’s football diplomacy or "foreign affairs" has been "aphasia". Since then, neither Zhang Jian nor Du Zhaocai has done it, especially Du Zhaocai.

That is to say, after Zhang Jilong’s retirement, China’s football diplomacy has been broken, and the "advantages" of Chen Chengda, Xu Fang and Zhang Jilong, which come down in one continuous strain, are gone.

For Song Kai, there are many things to do after taking over the mess of China Football Association. Youth training and league matches are very important. Judging from his trip to Doha, football diplomacy has not been neglected, or an open attitude.

In the past, some leaders of the Football Association actually did not attach importance to football diplomacy, and some were jealous and some were disdainful of Zhang Jilong’s contribution. Despite Zhang Jilong’s persuasion, Nan Yong "formed an alliance" with Haman, then president of the Asian Football Association, and got a temporary "pleasure" for a football player in China. At that time, he was full of pride. "What football diplomacy is, it’s just interests."

Nan Yong’s words have some truth. "Interests" are indeed fundamental, but connections are also indispensable. Otherwise, there is no channel for "mutual benefit", or why do people believe you? Haman took over at that time, mainly because he was under siege and needed an "exit".

At present, the situation in the AFC is that "the west wind overwhelms the east wind", and for many years, it is very difficult for China football to regain its voice, which Song Kai should be aware of.

In 2013, with the support of Blatter, Salman ascended the presidency of the AFC, and was re-elected for three times since then. The latest term is in 2027. From the current point of view, he has completely controlled the AFC, with no opponents, and his power is better than that of Haman. His secretariat manages almost everything.

Over the years, China’s football diplomacy has been guided by the principle of "following the establishment", which has both advantages and disadvantages. The advantage is that you can sometimes have a sip of soup, but the disadvantage is that you can only have soup.

Previously, China football could not speak because it could not bring "benefits". At that time, many sponsors of the AFC were Japanese and Korean companies, while there were almost no in China; Later, China enterprises participated extensively, but did not express their due "interest demands". They only paid money and did nothing.

For China football, a good opportunity is that an enterprise in China won the business development right of AFC for 8 years (from 2021 to 2028) for 2.4 billion US dollars in 2018. Unfortunately, due to the epidemic, the company lost money for years and was unable to pay the relevant funds, so it had to re-sign the contract and give up most of the benefits. Among them, AFC suffered heavy losses, and China football was also negatively affected.

Since then, China Football Association gave up the right to host the Asian Cup, which also caused dissatisfaction with the Asian Football Association. Among them, Du Zhaocai’s "inaction" was involved.

Therefore, in a certain period of time in the future, China football must regain its "trust" and establish new "contacts" with the world football. Song Kai revealed that the China Football Association is discussing matters related to hosting the World Youth Championship and the World Youth Championship.

In addition, China enterprises that sponsor FIFA and AFC must form a joint force and work closely with the Football Association to maximize the interests of all parties.

During his stay in Doha, Song Kai first met with AFC President Salman and talked with some AFC leaders. Accompanied by Song Kai, Luo Zhao, who has worked in the Foreign Affairs Department of the Football Association for many years, is very familiar with many things about the AFC.

Later on October 30th, local time, Song Kai met Salman on the day he arrived in Doha. Salman congratulated Song Kai on his election as president of China Football Association and reiterated that AFC will continue to cooperate with China Football Association. "I believe that under the leadership of Mr. Song Kai, China football will be promoted to a higher level." Salman said that he was concerned about Song Kai’s remarks. "We have seen the determination of the leadership of the new China Football Association." Song Kai expressed his appreciation and welcome for Salman’s commitment. Salman revealed that the AFC will have a series of concrete development plans to help China’s football continue to develop.

On the 31st, on the day of the AFC Awards Ceremony, Song Kai also had a talk with relevant people of AFC. Although he didn’t have a thorough understanding, he at least laid a foundation. In fact, Zhang Jilong once said that China’s football diplomacy is nothing more than four words: making friends.

Of course, it is whimsical to expect Song Kai to restart football diplomacy at once and even achieve results. After all, he is only a "newcomer", but at least, he has taken the first step. In the future, under the guidance of the policy of "making friends", he will be down-to-earth and may recover lost ground.

Two FMVP can’t get into the hall of fame? Famous mouth: Leonard is brilliant, but it is difficult to rank him.

He has won the championship twice and successfully won two championship trophies. At the peak of his career, he was even regarded as the first striker in the league on a par with Jordan by fans. But just a few years later, some commentators are questioning that he may not even be qualified to enter the NBA Hall of Fame.

Recently, some commentators publicly stated in the podcast program that it is undeniable that Ke Huailunna is brilliant and skilled, but it is difficult for him to rank in NBA history, and even his qualification for entering the Hall of Fame is open to question. After all, a player who has only played 12 games in a season, why should he compare himself with those players who have stacked their careers with a lot of games?

Since joining the Clippers, there have been more and more doubts about Leonard, especially his erratic injuries and poor attendance. In the past two seasons, Leonard has played only a handful of games, especially in the playoffs. The gap between Leonard’s games and players such as James, Durant and Curry is really too big. Although he was really strong at his peak, as the commentator said, it was really difficult to give Leonard a clear historical position in his career.

However, according to the 75th anniversary celebration held by the league before, Leonard was on the list of 75 superstars in NBA history. Is a player who is qualified to be selected into the top 75 not even qualified to enter the Hall of Fame? This is a bit too exaggerated. You know, even McGrady and Yao Ming, who don’t deserve the championship and MVP, can be elected to the Hall of Fame, not to mention Leonard, who can lead the Raptors to win the first championship trophy in team history. What do you think of this?

Controversy! Jeff, the new captain of Guangdong Men’s Basketball Team, may make a new decision, and the reason is revealed!

Controversy! Jeff, the new captain of Guangdong Men’s Basketball Team, may make a new decision, and the reason is revealed!

The emergence of Jeff, the new captain of Guangdong Men’s Basketball Team, has caused some controversy. Some fans have doubts about whether he can be the captain. However, the management is firm about Jeff’s choice, and thinks that his leadership and team consciousness are enough to lead the team to success. Jeff himself also said that he would try harder and go all out to respond to the fans’ expectations. Jeff’s appointment as the new captain of Guangdong Men’s Basketball Team has undoubtedly aroused various voices among fans. The management of Guangdong Men’s Basketball Team firmly believes that Jeff is the best candidate, and they believe that Jeff’s leadership temperament and team consciousness are the key to the team’s success. On the court, he showed extraordinary dominance and leadership, as well as the ability to play a stabilizer role in the team.

In addition, he is always the leader of his teammates off the court and has established a close cooperative relationship for the team. The management believes that Jeff as the new captain is the best choice for Guangdong men’s basketball team to win the championship in the future. However, it is undeniable that some fans’ controversy about Jeff becoming the captain is also reasonable. Being a captain is not only about the performance of basketball skills, but also includes leadership, emotional management and tactical decision-making. For a top team like Guangdong Men’s Basketball Team, the captain’s responsibility and pressure are enormous. Some fans are worried about whether Jeff can keep calm at critical moments and how to adjust tactics and motivate players in adversity.

These concerns are reasonable to some extent, because the captain’s role is not only to celebrate the victory, but also to lead the team unswervingly when it is difficult. Jeff himself is full of determination and confidence to become the new captain. In an interview, he frankly knew that the fans had high expectations of him, but he also said that he would respond to these expectations with greater efforts and all-out efforts. He believes that becoming a captain is a new challenge and a great honor in his career. He said that he will work closely with the coaching staff, learn and improve his leadership ability, and lead the team towards the goal of championship. As the new captain of Guangdong Men’s Basketball Team, Jeff will face a series of advantages and challenges.

First of all, as a captain, he will have more voice and influence, be able to better communicate with coaches and management, and strive for better resources and support for the team. His leading position in the team will also make his teammates trust him more and be more willing to obey his command. However, the duties of the captain are also accompanied by great pressure and challenges. He needs to stand up when the team encounters difficulties, boost morale and lead the team out of the trough together. At the same time, he also needs to constantly improve his level on the court and become a model and example for the team. Looking ahead, the importance of Jeff as captain is self-evident. He will show his skills and leadership on the court, and he will also face the judgment of all parties.

However, no matter what challenges he faces, Xu Jie said that he would go all out and do his best to bring more honor and glory to the Guangdong men’s basketball team. Only time will tell whether Jeff can be the captain, but he has become an important symbol for fans and Guangdong men’s basketball team, symbolizing a new chapter and a new beginning. Let’s look forward to more brilliant achievements of Guangdong Men’s Basketball Team under his leadership.

Sneijder on the Champions League final: Facing Barcelona in 10 years, people also think that we are doomed to failure.

Live on May 21st, when interviewed by Gazzetta dello Sport, Inter Milan star Sneijder talked about the 2010 Champions League semi-final and the upcoming Champions League final between Inter Milan and Manchester City.

Do you still remember the stadium atmosphere when you faced Barcelona in the semi-final of the Champions League in 2010?

"Of course, the scene is like a fairy tale, and I will never forget it. The San Siro will be unique on some nights. The scene against Milan the other day reminds me of the stadium atmosphere when I played against Barcelona in the Champions League semi-final 13 years ago. Accompanied by Materazzi, the’ crazy’ brother, it is even more interesting. "

Do you think Inter Milan have a chance to win the championship against Manchester City this time?

"There is no impossible game. Of course, there are difficult games, but in a single round, anything can happen and Inter can achieve anything. In addition, when facing Barcelona in 2010, people also felt that we were doomed to fail, but on the contrary, we proved that we could compete with Barcelona and win the game. "

In 2010, you won the semi-final against Guardiola’s almost perfect team. This time Inter Milan will face Guardiola again. Do you think Inter Milan can win in the same way?

"The team is different, the player structure is different, and football has also changed. Guardiola has been making tactical innovations, and he has an extraordinary team. Although Guardiola’s frontcourt is gorgeous, the defense line is not airtight, and there may always be some gaps. Then in terms of physical confrontation, Inter Milan is great, Inter Milan is very organized and disciplined, and can give feedback when facing Manchester City. "

But Manchester City has Harland. He is like a monster. How will you stop Harland?

"Harland may be the most destructive center player in European football at present, but no team can win by one player alone. In this case, Inter must work together with Qi Xin, and the whole team will participate in the defense. However, there are too many threatening players in Manchester City, so it is useless to just pay attention to and defend Harland. They also have De Braune and Mahrez, who have defended Harland. Maybe De Braune will seek shooting opportunities and defend De Braune. Maybe Mahrez is empty again. Inter Milan must unite as one, not afraid of strong enemies, and hold their heads high. "

Can lautaro be a key Mr Milito?

"That’s what I think, lautaro and Milito are Argentine fighters. Lautaro can follow Zanetti’s example. In the derby, lautaro wore the captain’s armband of Inter Milan. I think lautaro has the appearance of Zanetti and Milito, and he can be a beautiful fairy tale of the Nerazzurri. "

Lautaro is on the shortlist for the Golden Globe Award. If he can play a key role in the Champions League final, do you think lautaro deserves the Golden Globe Award?

"lautaro must think that winning the Champions League with Inter Milan is the best thing. Moreover, lautaro has won the World Cup, which is a very heavy trophy. In general, I think lautaro is very strong, he is still growing, and now he is at the peak. "

Manchester United is determined to solve the problem! Serie A 40 million frontrunners+Kane forced to go to the shire.

Manchester United has made remarkable progress under the leadership of Tenghahe this season, but the weakness of the front still plagues Manchester United, which is anxious to revive.

The data is the most convincing. They scored 51 goals in 35 Premier League games, averaging 1.45 goals per game, while Manchester City scored 92 goals in 35 games, averaging 2.63 goals per game.

Rachford, the top scorer of Manchester United, is good enough, but he has only scored 18 goals so far, which is far from Tenhah’s 36 goals.

Strengthening the strength of the front line has become Manchester United’s first choice next season. The Times reported that Manchester United had targeted two strikers.

Their number one prey must be Kane. Although Kane is 30 years old, he has scored 27 goals this season and is still a prolific striker.

Tottenham Hotspur is another four-empty season, and Kane has already had the idea of a transfer. Manchester United is a good choice. I just hope Kane won’t stage a farce of failing to move to Manchester City.

Another target for Manchester United is Danish striker Heilund of Serie A Atalanta. Last summer, Atlanta bought the 20-year-old soccer potential star for 17 million euros.

He is a traditional center with good back skills, and scored 7 goals in 29 Serie A appearances. Now he is worth 40 million pounds, and Real Madrid, Juventus and Inter Milan are also among the competitors.

Once United win Kane and Heylund, Marchal will definitely leave.

Why Ancelotti, Guardiola and Mourinho are the three famous coaches in the European League?

Mourinho is one of them. The reason is very simple. With the investment of Rome now, he can lead the team to the top four of the Europa League, and the league is temporarily ranked fourth. After all, Juventus has been added back temporarily, which is already very good.

Mourinho’s achievements in Rome in the past two years are actually very successful. For many reasons, Rome could not bring in good players in the past two years, but Mourinho got some players such as Dibala on his own face, and this season’s Europa League has achieved good results with these players.

Champion of the Europa League, temporarily in the top four in Serie A and the top four in the Europa League this season. This achievement is very good for Rome now. Mourinho is indeed a powerful coach. After leading many games this season, Rome used intensive defensive counter-attack tactics and then succeeded. Mourinho is the only one of the three coaches who is short of funds.

Guardiola is also a successful coach. Perhaps many people say that anyone can go to Manchester City. Of course, it will not be so easy. There are many stars and the management of the locker room is also difficult.

Guardiola has won the championship every year since he led the team, which started when Barcelona coached. Of course, there are still three trophies in Manchester City, so there is still a chance to win the championship trophy this season. That’s what makes him great. Let Cancelo leave directly this season, which also shows his ability to manage the dressing room.

And judging from this performance, Guardiola may even win the Champions League trophy in Manchester City this season. If he does, it will be a dream come true. Although he has won the Champions League trophy before. The gap between the league and Arsenal has narrowed now, and it is even close to catching up, so Guardiola has entered the semi-finals of the Champions League for three consecutive years, and this result is also very convincing.

Carlo Ancelotti is also on the list, and it is really good that he can make such a Real Madrid enter the semi-finals of the Champions League.

Ancelotti is the most distinctive of these three people, because Ancelotti’s style is what players have, and if they are well kneaded, they will have good results. In fact, some veterans in Real Madrid have fallen sharply now, but the team’s performance is still ok. This is the ability. Ancelotti belongs to the relatively simple type of coach, but he has led Real Madrid to good results.

He led different teams to win the Champions League trophy and the League trophy, and this is even worse. Is that the only thing these three coaches can do? These are the three coaches who seem to be the strongest in Europe this season. They all made their teams play an extraordinary level and solved the problems when the team encountered injuries.